Most of my longer films have been based on dreams and have been of a personal semi-autobiographical nature. Tarp represents my interest in more simple/basic visual themes: Color, shape, and "found object" filmmaking. I began "recording" all of the tarps in my immediate neighborhood and surrounding cities - tarps over cars and boats and campers, tarps as tents, on trucks and hanging from overpasses on freeways. The fragmented result still maintains a dream-like tone, yet speaks about the mysterious way we Americans cover-up and protect things and the strange locations in which we do it.