An exploration of the phenomenon of constant change of visual perception and the dynamic alteration of image perspective. The frame as a window whereby the viewer's consciousness is both inside and outside. A graphic portrayal of the change of Chicago's seasons (from Fall to Winter) employing the technique of optical printing bi-pack. One foot of black and white film was shot for ninety days consecutively and printed with color footage of close-ups of the same scene.

Awards: Fellowship Competition held at the School of the Art Institute of Chicago, 1979; Completion Grant from the Illinois Arts Council, 1979; SF Art Institute Film Festival, 1980.

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