The Arboretum Cycle


Rental Format(s): 16mm film, 18 fps

"For the past several years California experienced an extreme drought. But this past winter good fortune brought a bountiful amount of storms and liquid refreshment. The spring that followed took on magical and celebratory qualities of energy, joy, fullness, and rebirth. In walking distance from my apartment is San Francisco's Arboretum located in Golden Gate Park. I decided that I would make a film now on a single subject and that subject would be the light - not the objects, but the sacredness of the light itself in this splendid garden. What I did not know is that the great beauty of this magnificent spring would bring forth not one, but seven films, each one immediately following the previous. I began to photograph on the second week of February and finished the editing of the seventh film during the last days of December.

"These seven films spontaneously manifested as the stages of life: early childhood, youth, maturity, old age, and death. ELOHIM was photographed in early spring, the week of the lunar new year, the very spirit of creation. ABATON was photographed a few weeks later in the full ripeness of spring, the very purity and intoxication of passion. CODA was photographed in late spring, in the aftermath of this purity, the first shades of mortality and knowledge. ODE, photographed in early summer, is a soft-textured song of the fallen, the dissonant reds of death, seeds, and rebirth. SEPTEMBER is indeed, Indian summer, the halcyon swan song of earthly blessings. MONODY, shot in the fading autumnal glory, is an energized declaration of the end. And EPILOGUE, photographed in early December, rests in quietude, the garden#s energy now descending into the dark, damp earth.

"How the Arboretum Cycle should be presented:

"After the first round of screenings at Duke University, the Anthology Film Archives, the Sheffield Doc/Fest, the San Francisco Museum of Modern Art, and CGAI in A Coruña, Spain, I have decided on the following method of presenting the seven films that make up the Arboretum Cycle. This spacing of the films allows for each of the seven sections within the Arboretum Cycle to play at their best.

"There will be no intermissions. There will be a minute to two minute pause, audience in dark or near dark, to rethread the projector for the second and third reels.

"The projectionist will allow the leader between films within each reel to play on the screen as an entr'acte." -Nathaniel Dorsky

Reel One:

Elohim (31 min.)
Elohim, or divine beings, the energy of light as creation. N.D.

Abaton (19 min.)
Abaton, a sacred place, a sanctuary for dreaming and healing. N.D.

Reel Two:

Coda (16 min.)
Coda is an afterword to Elohim and Abaton, the first shades of death and knowing. N.D.

Ode ( 20 min.)
Ode is the fourth section of the cycle. There is now the presence of death and dying as the dry summer begins. N.D.

Reel Three:

September ( 20 min.)
September#s ripeness, a blessing on earth, our Indian summer... N.D.

Monody (16 min.)
A monody is an ode sung by a single actor in a Greek tragedy, a poem lamenting a person#s death. In this case, the sixth section of this Arboretum Cycle, the death of the garden itself. N.D.

Epilogue (15 min.)
Epilogue is the seventh film in the Arboretum Cycle, a descent into the dark damp earth, a period of dying. N.D.

Rental Fees

  Fee  
16mm film, 18 fps $700.00  

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