Washing Society, The

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by Lynne Sachs and Lizzie Olesker

An attitude that/ they should/ have a job - whether they've means or not/ and their/ or one's having the means/ to take care of/ one's self or/ someone - as/ what should/ be done. (Way by Leslie Scalpino)

When you drop off a bag of dirty laundry, who's doing the washing and folding? THE WASHING SOCIETY brings us into New York City laundromats and the experiences of the people who work there. Collaborating together for the first time, filmmaker Lynne Sachs and playwright Lizzie Olesker observe the disappearing public space of the neighborhood laundromat and the continual, intimate labor that happens there. Inspired by To #Joy My Freedom author Tera Hunter's depiction of the 1881 organization of African-American laundresses in Atlanta, Sachs and Olesker's film THE WASHING SOCIETY investigates the intersection of history, underpaid work, immigration, and the sheer math of doing laundry. Drawing on each other's artistic practices, Sachs and Olesker present a stark yet poetic vision of those whose working lives often go unrecognized, turning a lens onto their hidden stories, which are often overlooked. Dirt, skin, lint, stains, money, and time are thematically interwoven into the very fabric of THE WASHING SOCIETY through interviews and observational moments. With original music by sound artist Stephen Vitiello, the film explores the slippery relationship between the real and the re-enacted with layers of dramatic dialogue and gestural choreography. The juxtaposition of narrative and documentary elements in THE WASHING SOCIETY creates a dream-like, yet hyper-real portrayal of a day in the life of a laundry worker, both past and present.

THE WASHING SOCIETY has received support from Workers Unite Film Festival, New York State Council on the Arts, Brooklyn Arts Council, Lower Manhattan Cultural Council, Women and Media Coalition, Puffin Foundation and Fandor FIX Filmmakers.
Our collaborators include actors Ching Valdes-Aran, Jasmine Holloway, Veraalba Santa, film editor Amanda Katz, cinematographer Sean Hanley and sound artist Stephen Vitiello.

Screenings: Premiere 'Punto de Vista' International Documentary Film Festival, Pamplona, Spain; Symposium on Black Feminist History, Carter Woodson Institute for African-American Studies, University of Virginia; Sebastopol Documentary Film Festival.

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