- Jerome Hiler |
- 1971-87 |
- 35 minutes |
- COLOR |
Rental Format(s): 16mm film, 18 fps
NEW SHORES (1971 - 87, edited 2014)
NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the West Coast, where I settled, and concludes with a visit, in 1987, to the "stone house" in rural New Jersey. Even though there is some sort of time line that can be imagined, the film stands on its own. It is simply a series of episodes that touch upon facets of living in a new area with new weather, new people, new identities and stubborn old fears. The Bolex camera goes to work across landscapes and living areas, workplaces and gatherings. A dance of images: can beauty partner with dread and death? It's a film of the coexistences that percolate beneath the surface of ordinary events. A film of useless hopes and baseless fears. As mentioned, we conclude with a return to the house in New Jersey. We meet the current tenant and explain who we are. Our visit sets off a brief return to the 'sixties and the memory of a Halloween dance and, then, returns to the present. This Autumnal rondo completes the seasonal progression of IN THE STONE HOUSE yet re-states the impossibility of any going back.
My title should be familiar to film lovers as a paraphrase of Douglas Sirk's German film, ZU NEUEN UFERN, or TO NEW SHORES. That film also deals with displacement, chasing pleasures to escape the overall atmosphere of imprisonment and a final capitulation.
ONCE MORE TO THE LAKE Jerome Hiler's New Shores | The Brooklyn Rail | by Max Goldberg
|16mm film, 18 fps||$140.00|