Kurt Kren's achievements with regard to the montage of short cuts in his early works was many years ahead of the rest of the (film)world, in both form and content. Kurt Kren was a pioneere: an avantgardist in the classic and best sense of the word. A filmmaker who knows how to think in images like few others in this trade, and who realized these images in films that are among the »most beautiful« and »most important« in cinematic history.
(Peter Tscherkassky)


1/57 VERSUCH MIT SYNTHETISCHEM TON (TEST) (1/57 EXPERIMENT WITH SYNTHETIC SOUND (TEST)) 1:23 MIN , 2/60 48 KÖPFE AUS DEM SZONDI-TEST (2/60 48 HEADS FROM THE SZONDI-TEST) 4:19 MIN, 3/60 BÄUME IM HERBST (3/60 TREES IN AUTUMN) 5:03 MIN, 4/61 MAUERN POS.#NEG. UND WEG (4/61 WALLS POS.-NEG. AND WAY) 6:09 MIN, 5/62 FENSTERGUCKER, ABFALL ETC. (5/62 PEOPLE LOOKING OUT OF THE WINDOW, TRASH ETC.) 4:48 MIN, 11/65 BILD HELGA PHILIPP (11/65 HELGA PHILIPP PAINTING) 2:29 MIN, 15/67 TV 4:08 MIN, 17/68 GRÜN-ROT (17/68 GREEN-RED) 2:56 MIN, 20/68 SCHATZI 2:29 MIN, 28/73 ZEITAUFNAHME(N) (28/73 TIME EXPOSURE(S)) 2:56 MIN, 31/75 ASYL (31/75 ASYLUM) 8:26 MIN, 32/76 AN W+B (32/76 TO W+B) 7:42 MIN, 36/78 RISCHART 3:02 MIN, 37/78 TREE AGAIN 3:46 MIN, 38/79 SENTIMENTAL PUNK 4:30 MIN, 49/95 TAUSENDJAHREKINO (49/95 THOUSANDYEARSOFCINEMA) 2:40 MIN