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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Note to Tetsua |
Moon flight loud silence soft dark hard light ... |
Saul Levine | 2018 | 16mm film | B&W | SILENT | 1 mins |
|
Light Lick: Love Stain |
light licks love stains ... |
Saul Levine | 2018 | 16mm film | COLOR | SILENT | 4 mins |
|
Entry Note |
A small apocalypse prophecy on the threshold of ... |
Saul Levine | 2018 | 16mm film | B&W | SILENT | 3 mins |
|
Light Lick: Amen | A stark portrait of my father at daily morning pra... | Saul Levine | 2017 | 16mm film, 18 fps | COLOR | SILENT | 5.5 mins |
| Breaking Time: Part 3-4: Lien on My Soul and Portrait Not a Dream | In the fall of 1977, I returned to the New Haven a... | Saul Levine | 1978-1983 | 16mm film, 18 fps | COLOR | SILENT | 21 mins | |
| Breaking Time: Part 2: Arrested | In the fall of 1977, I returned to the New Haven a... | Saul Levine | 1977-1983 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
| Breaking Time: Part 1: Mortgage on My Body | In the fall of 1977, I returned to the New Haven a... | Saul Levine | 1978-1983 | 16mm film, 18 fps | COLOR | SILENT | 23 mins | |
| Whole Note | A portrait of my father in the last days of his li... | Saul Levine | 2000 | 16mm film, 18 fps | B&W | SILENT | 11 mins | |
| Light Lick: Pardes: Night Time is the Right Time | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Falling Notes Unleaving | Made almost fifty years after his debut film, Saul... | Saul Levine | 2013 | 16mm film, 18 fps | COLOR | SILENT | 13 mins | |
| Light Lick: Pardes: Wild Blue Yonder | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 12 mins | |||
| Dead Day Display Note | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Note One | A study in grey and white of my parents. An evenin... | Saul Levine | 1968 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
| Note to Erik | NOTES is a series I started in 1968. NOTE TO ERIK ... | Saul Levine | 1966-1968 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
| Lost Note | Scenes drawn from the home and life of Isa Milman ... | Saul Levine | 1968-1969 | 16mm film, 18 fps | COLOR/B&W | SILENT | 10 mins | |
| Light Lick: By the Waters of Babylon: This May be the Last Time | Shot right before Dwayne's stopped processing Koda... | Saul Levine | 2011 | 16mm film, 18 fps | COLOR | SILENT | 6 mins | |
| Four Films: Note to Poli; Portrayal/Sheryl Kaye; Portrayal/Near Site; Shmateh III | The FOUR FILMS ... is a sample of films from three... | Saul Levine | 1983 | 16mm film, 18 fps | COLOR | SILENT | 14 mins | |
| Preview |
camera by Sylvia Gruner & Pelle Lowe Preview th... |
Saul Levine | 1989 | Super 8mm, 18 fps | COLOR | SOUND | 5 mins | |
| Notes of An Early Fall (Part One) | Saul Levine | 16mm film | COLOR | SOUND | 33 mins | |||
|
Notes After Long Silence | "In title and content NOTES AFTER LONG SILENCE dir... | Saul Levine | 1989 | Super 8mm, 18 fps | COLOR | SOUND | 15 mins |