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Results 1461 - 1480 of 3701
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Full Moon Notebook | "Even though I can't explain why, a film that move... | Gary Doberman | 1975 | 16mm film | COLOR | SILENT | 11 mins | |
| Fur of This Animal, The | "Wanted to drop you a quick note to congratulate y... | Gary Doberman | 1979 | 16mm film | COLOR | SILENT | 20 mins | |
| Marks of Reference | "As I said, but wish to imprint, MARKS OF REFERENC... | Gary Doberman | 1980 | 16mm film | COLOR | SILENT | 11.5 mins | |
| Moieties, The | "... where beads of light searching out 'the belov... | Gary Doberman | 1978 | 16mm film | COLOR | SILENT | 9 mins | |
| Moth-Eyed Man, The | "This is a portrait of Brakhage in Brakhage's styl... | Gary Doberman | 1978 | 16mm film | COLOR | SILENT | 9 mins | |
| Nimbus |
For Jim Healy. NIMBUS was Robert Creeley's firs... |
Gary Doberman | 1978 | 16mm film | COLOR | SILENT | 5 mins | |
| Sandwoman's Moon | "I think Gary Doberman is an artist of film, and I... | Gary Doberman | 1976 | 16mm film | COLOR | SILENT | 6.5 mins | |
| Trilog: Fisheries, The Rhyme, The Old | "Yesterday I took another look at the three film p... | Gary Doberman | 1977 | 16mm film | COLOR | SILENT | 14 mins | |
| Trivia | TRIVIA was Brakhage's choice out of all my films u... | Gary Doberman | 1980 | 16mm film | COLOR | SILENT | 15 mins | |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
|
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
|
Pneuma | In Stoic philosophy "pneuma" is the "soul" or fier... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Triste | TRISTE is an indication of the level of cinema lan... | Nathaniel Dorsky | 1996 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
|
Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Variations | VARIATIONS blossomed forth while shooting addition... | Nathaniel Dorsky | 1998 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
|
Arbor Vitae | ARBOR VITAE is a gesture towards a cinema of pure ... | Nathaniel Dorsky | 2000 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Love's Refrain | Perhaps the most delicately tactile in this series... | Nathaniel Dorsky | 2001 | 16mm film, 18 fps | COLOR | SILENT | 22.5 mins |
|
Visitation, The |
The first of two devotional songs. Part One of ... |
Nathaniel Dorsky | 2002 | 16mm film, 18 fps | COLOR | SILENT | 18 mins |