"[BUDAPEST PORTRAIT] may be his strongest essay yet on the naturalization of the urban landscape. For Hutton, the city is less a social matrix than a verdant asphalt jungle. Close-up portraits of two ancient rag-pickers and a succession of elderly peasant women aside, virtually every other person shown is dominated by the surroundings. Human presence is often suggested merely by indexical signs - photographs, shadows or bullet holes. This relative absence of the figure, together with the harsh chiaroscuro of the winter light, induces a poignant sense of loneliness and isolation. Voluptuously gray, worn and lived in, the city is like a stage set for an invisible drama." - J. Hoberman, Artforum