I have combined films of various stocks over a period of three years. This is a final exercise in the series that I began in REGARDING MOTION and carried through CITY CITY, DAY NIGHT. This film searches for the limits of the medium like a hound following a scent. It is a study of motion looking down, looking in, looking out, and looking up. It is at one time the observer and the observed. I am trying to make the viewer feel the frame's edges and feel the film; to observe what is moving into the frame and what the frame is moving.