"...was shot in black and white Super 8mm and is accompanied by a soundtrack of drumming and deep breathing. The camera fades in and out on a symmetrical series of lovely, grainy close-ups of the naked, apparently sleeping forms of a male and a female (Huot himself and Carol Kinne). The film is closely related to, and would be especially interesting screened with Willard Maas' GEOGRAPHY OF THE BODY, Taka Iimura's LOVE, and Yoko Ono's FLY." - Scott MacDonald, The Films of Robert Huot: 1967-1972, Quarterly Review of Film Studies, Summer 1980