"One of the major achievements of the sixties. Mike Snow postulates an eye that stares at surfaces with such intensity... The image itself seems to quiver, finally gives way under the pressure. A deceptive beginning - silent: a flat white form sharply cut to the silhouette of a walking woman... More Human images, love-making - a Human epic now still ruled by the after image of the "Walking Woman". As in no other film yet seen, its alternately soft and granite images lift us toward the year 2000; capturing not events, not objects, but again and again registering a 'placement' of consciousness - the subject matter of the future, really. Human energy on film..."
-- Richard Foreman, New York Film Co-op