In this film we move away from the notion of a work based on a preconceived filming procedure ajusting the visual characteristiques of the image in order to approach the temporal dimension of a pond full of frogs. In front of such creatures that tend to be elusive there arises a question of more general interest as to how can one record moments that are meanful, how can one render visible, present a moment that is alive and connect the items forming the different recorded moments up together?