Opens with a short portrait of Marjorie Keller that I made while she met Colleen Fitzgibbon and I on a corner in New York City. The rest of the film is a note to Colleen a continuation of conversations about portraiture, public and private art, love, friendship and loneliness.

Restoration 16mm blows-ups of 8mm films by the National Film Preservation Foundation, Anthology Film Archives and BB Optics.