Only at a crisis do I see both the sense as I've been trained to see it (that is, with Renaissance perspective, three-dimensional logic, colors as we've been trained to call a color a color, and so forth) and patterns that move straight out from the inside of the mind through the optic nerves - spots before my eyes, so to speak - and it's a very intensive, disturbing, but joyful experience. I've seen that every time a child was born .... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.

Award: Brussels Int'l Film Festival, 1964