"This is one of the films that came out of a rejection of expressive camera work, sound, language, editing. I wanted to offer a rich experience of phenomena and associations that could come from a continuous moving image the length of a roll of film. The scene is a space of ceremony, of an offering. This is the world of my house in the country, of my marriage to a potter whose bowl represents her. She is the actor. There are actions that have to do with the transformation of ears of corn into sustenance. These actions take place within a space/time theater of slow continuous changes of light and shadow. There are long spaces where the viewer is free to look at various parts of the screen and, with the steam that rises from the cooked ears, into the very grains of the film itself. The sinuous dance of steam is a counterpart to the fog of FOG LINE. The two films are joined." (Larry Gottheim)