"[A] French gendarme weaves a hapless path through the film's strobe attacks, disparate drawing styles, and variable scale .... Framed by underwater and travel imagery, the central section's faucets and aerosols, collapsing tents and outsized croquet games, breakfast foods and sexual violence, all suggest domestic frustration." - J. Hoberman,The Village Voice
Exhibition: NY Film Festival, 1979; Biennial Exhibition, Whitney Museum of American Art, 1979.