"DYN AMO explores aspects of women's slavery, a slavery that involves them in acting out fantasies that have lost whatever social value they had long ago .... DYN AMO may be partially the tale of the creation that runs away with the creator. But it is also revolutionary to the extent that Dwoskin shows these false roles to be escapable. ... And the women in the film remain, despite an environment of which the best that can be said is that it is a parody of itself, despite their acute identity distortion, aware, if not of an alternative, at least of the desperate need for one ...." - Verina Glaessner, Time Out, London

"The plight of women as sex objects, and by extension the problem of their intellectual survival, finds a clear definition in DYN AMO. ... The film stares into the faces of four girls on the tiny, tatty stage of what is evidently a strip club; one after one they begin their routines, miserable, mechanical, bored, until gradually the presence of the camera encourages them to react against the deplorable indignities to which they have been submitted and they fix us with their eyes for minutes on end in silent pleas for help." - Philip Strick