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Results 1 - 20 of 55
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
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The Arboretum Cycle | "For the past several years California experienced... | Nathaniel Dorsky | 2017 | 16mm film, 18 fps | COLOR | SILENT | 137 mins |
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Arbor Vitae | ARBOR VITAE is a gesture towards a cinema of pure ... | Nathaniel Dorsky | 2000 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
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Pneuma | In Stoic philosophy "pneuma" is the "soul" or fier... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
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Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
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Return, The |
Like a memory already gone, this place of life ... |
Nathaniel Dorsky | 2011 | 16mm film, 18 fps | COLOR | SILENT | 27 mins |
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April | Following a period of trauma and grief, the world ... | Nathaniel Dorsky | 2012 | 16mm film, 18 fps | COLOR | SILENT | 26 mins |
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Autumn | Autumn, photographed during the last months of the... | Nathaniel Dorsky | 2016 | 16mm film, 18 fps | COLOR | SILENT | 26 mins |
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Threnody | THRENODY is a somber but luminous progression thro... | Nathaniel Dorsky | 2004 | 16mm film, 18 fps | COLOR | SILENT | 25 mins |
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Variations | VARIATIONS blossomed forth while shooting addition... | Nathaniel Dorsky | 1998 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
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Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
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Spring | Spring was photographed during the months followin... | Nathaniel Dorsky | 2013 | 16mm film, 18 fps | COLOR | SILENT | 23 mins |
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Summer | Summer in San Francisco is a dry and rainless seas... | Nathaniel Dorsky | 2013 | 16mm film, 18 fps | COLOR | SILENT | 22.5 mins |
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Love's Refrain | Perhaps the most delicately tactile in this series... | Nathaniel Dorsky | 2001 | 16mm film, 18 fps | COLOR | SILENT | 22.5 mins |
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Apricity | The title Apricity refers to the warmth of the sun... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 22 mins |
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Winter | San Francisco's winter is a season unto itself. Fl... | Nathaniel Dorsky | 2007 | 16mm film, 18 fps | COLOR | SILENT | 21.5 mins |
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Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
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Song and Solitude | "Song and Solitude" was conceived and photographed... | Nathaniel Dorsky | 2006 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
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Avraham | In most of my films I have had the burden of addin... | Nathaniel Dorsky | 2014 | 16mm film, 18 fps | COLOR | SILENT | 20 mins |
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Prelude | It is a profound and rarified pleasure to be photo... | Nathaniel Dorsky | 2015 | 16mm film, 18 fps | COLOR | SILENT | 20 mins |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |