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Results 3681 - 3700 of 3706
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Footsteps | The film juxtaposes three elements - a man, a girl... | Jacalyn White | 1977 | Super 8mm, 24 fps | B&W | OPT | 3 mins | |
| If X, Then Y | S8mm picture is 18 frames behind the sound. That r... | Jacalyn White | 1986 | Super 8mm, 24 fps | COLOR | SOUND | 8 mins | |
| In Mother's Way | I tell my side of the mother-daughter story which ... | Jacalyn White | 1981 | Super 8mm, 24 fps | COLOR | SOUND | 32 mins | |
| In the Company of Women Part 1 | Five dynamic women have an intimate conversation. ... | Jacalyn White | 1985 | Super 8mm, 24 fps | COLOR | SOUND | 10 mins | |
| In the Company of Women Part 2 | The mothers of the daughters filmed in PART 1 talk... | Jacalyn White | 1986 | Super 8mm, 24 fps | COLOR | SOUND | 15 mins | |
| Last Gasp | A dusk-till-dawn document of the dying gasps of my... | Jacalyn White | 1981 | Super 8mm, 24 fps | COLOR | SOUND | 18 mins | |
| Radiation | Exploding orgasms or marching soldiers? The simpli... | Jacalyn White | 1977 | Super 8mm, 24 fps | B&W | OPT | 5 mins | |
| Airborne | AIRBORNE is an energetic journey set in the cockpi... | Andrej Zdravic | 1987 | Super 8mm, 24 fps | COLOR | OPT | 10 mins | |
| Kres | Kres is a sparkling film of a fire that my father ... | Andrej Zdravic | 1986 | Super 8mm, 24 fps | COLOR | OPT | 6 mins | |
|
1997A (Arrival) | "Polta's film renders a subtle spectral impression... | Steve Polta | 1997 | Super 8mm, 24 fps | COLOR | CASS | 10 mins |
|
Fades and Close-Ups | "...was shot in black and white Super 8mm and is a... | Robert Huot | 1978 | Super 8mm, 24 fps | B&W | MAG | 8 mins |
| Erotic Trilogy | "Costumed Capers...Fetish and Fantasy...Punk Pleas... | Robert Huot | 1980 | Super 8mm, 24 fps | COLOR/B&W | MAG | 13.5 mins | |
| Cum Foo | "Lush color...rich black and white...fascinating n... | Robert Huot | 1981 | Super 8mm, 24 fps | COLOR/B&W | MAG | 11.5 mins | |
| City City, Day Night | At one time I had a job driving in San Francisco.... | Alfonso Alvarez | 1988 | Super 8mm, 24 fps | B&W | SILENT | 5 mins | |
| Looking In, Looking Out | I have combined films of various stocks over a per... | Alfonso Alvarez | 1986-8 | Super 8mm, 24 fps | COLOR/B&W | SILENT | 5 mins | |
| Motel 6 (Not A Thriller) | June '87: coming back from a Grateful Dead show at... | Alfonso Alvarez | 1988 | Super 8mm, 24 fps | COLOR | SILENT | 5 mins | |
| Un Film Terrible | I have combined, hand-colored, and scratched orig... | Alfonso Alvarez | 1985 | Super 8mm, 24 fps | COLOR/B&W | SILENT | 2.5 mins | |
| I Saw Where You Was Last Night | A 14-minute S8mm film which extends the ranges of ... | Bill Creston | 1984 | Super 8mm, 24 fps | COLOR | SOUND | 14 mins | |
| Runner | A film consisting primarily of rapid segments shot... | Bill Creston | 1981 | Super 8mm, 24 fps | COLOR | SOUND | 18 mins | |
| Knowledge They Cannot Lose, A | The film concerns the death of my father and the w... | Nina Fonoroff | 1989 | Super 8mm, 24 fps | COLOR | MAG | 17 mins |