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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Kristallnacht | Dedicated to the memory of Anne Frank, and the ten... | Chick Strand | 1979 | 16mm film | B&W | SOUND | 7 mins |
| Loose Ends | LOOSE ENDS is a collage film about the process of ... | Chick Strand | 1979 | 16mm film | B&W | SOUND | 25 mins | |
|
Mosori Monika | An expressive documentary about women in the Third... | Chick Strand | 1970 | 16mm film | COLOR | SOUND | 20 mins |
|
Mujer De Milfuegos | A kind of heretic fantasy film. An expressionistic... | Chick Strand | 1976 | 16mm film | COLOR | SOUND | 15 mins |
|
Waterfall | Chick Strand | 1968 | 16mm film | COLOR | OPT | 3 mins | |
| Boat | The continuation of a chronicle of a journey to Al... | Mark Street | 1985 | 16mm film | COLOR | SOUND | 7 mins | |
| Excursions | In EXCURSIONS, a cast of characters sift through t... | Mark Street | 1994 | 16mm film | COLOR | SOUND | 26 mins | |
| Fractious Array | FRACTIOUS ARRAY was made by painting and bleaching... | Mark Street | 1990 | 16mm film | COLOR | SILENT | 7 mins | |
| January Journal | A diary film with a confessional edge, shot in ups... | Mark Street | 1985 | 16mm film | COLOR | SOUND | 12 mins | |
| Missing Something Somewhere | MISSING SOMETHING SOMEWHERE is a textured celebrat... | Mark Street | 1992 | 16mm film | COLOR | SOUND | 17 mins | |
| Mission Stop | An alternately meditative and chaotic portrait of ... | Mark Street | 1988 | 16mm film | COLOR | SOUND | 18 mins | |
| Scratch | A visually chaotic manipulation of film emulsion.\... | Mark Street | 1983 | 16mm film | B&W | SOUND | 4 mins | |
| Spray | An abstract study of color and sound made by paint... | Mark Street | 1986 | 16mm film | COLOR | SOUND | 9 mins | |
| Tent | The last of a trilogy of films chronicling a journ... | Mark Street | 1985 | 16mm film | B&W | SOUND | 4 mins | |
| West | Part one of a trilogy of films chronicling a journ... | Mark Street | 1985 | 16mm film | COLOR | SOUND | 8 mins | |
| Why Live Here? | WHY LIVE HERE? explores three characters' reaction... | Mark Street | 1996 | 16mm film | COLOR | SOUND | 50 mins | |
|
Hand Held Day | "Beydler's magical Hand Held Day is his most unaba... | Gary Beydler | 1975 | 16mm film | COLOR | SILENT | 6 mins |
|
Venice Pier | "I wanted to make a film that was exactly one year... | Gary Beydler | 1976 | 16mm film | COLOR | OPT | 16 mins |
| Auto Pos |
Sound design by Dane Davis. In everyone's life,... |
David Tucker | 1997 | 16mm film | COLOR | SOUND | 9 mins | |
| Stone Paintings |
Music composed by Melissa Hoy. I grew intereste... |
David Tucker | 1990 | 16mm film | COLOR | SOUND | 6 mins |