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Results 41 - 55 of 55
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
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Caracole (for Mac) | Mac McGinnes, a dear friend and neighbor, often sa... | Nathaniel Dorsky | 2022 | 16mm film, 18 fps | COLOR | SILENT | 7 mins |
|
Caracole (for Izcali) | In the last few years I have been making a series ... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
|
Caracole (for Cecilia) | Caracole (for Cecilia) is the first in a br... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
|
Canticles | A strange autumnal in an empty world, a film of la... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Calyx | I photographed Calyx during the rather tense twent... | Nathaniel Dorsky | 2018 | 16mm film, 18 fps | COLOR | SILENT | 13 mins |
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Avraham | In most of my films I have had the burden of addin... | Nathaniel Dorsky | 2014 | 16mm film, 18 fps | COLOR | SILENT | 20 mins |
|
Autumn | Autumn, photographed during the last months of the... | Nathaniel Dorsky | 2016 | 16mm film, 18 fps | COLOR | SILENT | 26 mins |
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August and After | After a lifetime, two mutual friends, George Kucha... | Nathaniel Dorsky | 2012 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
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Aubade | An aubade is a poem or morning song evoking the fi... | Nathaniel Dorsky | 2010 | 16mm film, 18 fps | COLOR | SILENT | 11.5 mins |
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Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
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Arbor Vitae | ARBOR VITAE is a gesture towards a cinema of pure ... | Nathaniel Dorsky | 2000 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
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April | Following a period of trauma and grief, the world ... | Nathaniel Dorsky | 2012 | 16mm film, 18 fps | COLOR | SILENT | 26 mins |
|
Apricity | The title Apricity refers to the warmth of the sun... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 22 mins |
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Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |