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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Note to Poli | "A note to the filmmaker Poli Marechal 'about' pen... | Saul Levine | 1983 | Super 8mm, 18 fps | COLOR | SILENT | 4 mins |
| Dead Day Display Note | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Light Lick: Pardes: Wild Blue Yonder | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 12 mins | |||
| Light Lick: Detour | Saul Levine | 2002 | Super 8mm, 18 fps | B&W | SILENT | 12 mins | ||
| Light Lick: Pardes: Night Time is the Right Time | Saul Levine | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |||
| Light Lick: Pardes: Drowned Hat Rescue Media City Motown Jump | Saul Levine | 2014 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | ||
| Light Lick: Born Under a Bad Sign | Saul Levine | 2002 | Super 8mm, 18 fps | COLOR | SILENT | 12 mins | ||
| Notes of An Early Fall (Part One) | Saul Levine | 16mm film | COLOR | SOUND | 33 mins | |||
| Rambling Notes | Saul Levine | 1976-77 | 16mm film, 18 fps | COLOR | SILENT | 12 mins | ||
| All That's Solid | Saul Levine | 2000 | Super 8mm, 18 fps | B&W | SILENT | 3 mins | ||
| Light Hit | Saul Levine | 1995 | 16mm film, 18 fps | COLOR | SILENT | 1 mins | ||
| Unemployment Portrayal | Saul Levine | 1983 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |