Search Results
Edit Search Options »
Results 1621 - 1640 of 3746
Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
---|---|---|---|---|---|---|---|---|
Sexual Meditation #1: Motel | This film was originally photographed in 1970 in r... | Stan Brakhage | 1980 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |
Songs 1-7 | After much technical difficulty and elaborate col... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 17 mins | |
Songs 16-22 | SONG 16 - a flowering of sex as in the mind's eye,... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 23.5 mins | |
Songs 8-14 | Sea creatures; wedding source and substance; sitti... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 19 mins | |
Form Phases III | Different stages of paintings made with ink. The i... | Robert Breer | 1954 | 16mm film, 18 fps | COLOR | SILENT | 3.5 mins | |
Form Phases I | The two-dimensionality of the painted and cut-out ... | Robert Breer | 1952 | 16mm film, 18 fps | COLOR | SILENT | 2 mins | |
Killman | The adventures of an insidious fiend, whose chief ... | Herb De Grasse | 1966 | 16mm film, 18 fps | B&W | SILENT | 16 mins | |
![]() |
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
![]() |
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
![]() |
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
![]() |
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
![]() |
Pneuma | In Stoic philosophy "pneuma" is the "soul" or fier... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
![]() |
Triste | TRISTE is an indication of the level of cinema lan... | Nathaniel Dorsky | 1996 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
![]() |
Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
![]() |
Variations | VARIATIONS blossomed forth while shooting addition... | Nathaniel Dorsky | 1998 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
![]() |
Arbor Vitae | ARBOR VITAE is a gesture towards a cinema of pure ... | Nathaniel Dorsky | 2000 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
![]() |
Love's Refrain | Perhaps the most delicately tactile in this series... | Nathaniel Dorsky | 2001 | 16mm film, 18 fps | COLOR | SILENT | 22.5 mins |
![]() |
Visitation, The |
The first of two devotional songs. Part One of ... |
Nathaniel Dorsky | 2002 | 16mm film, 18 fps | COLOR | SILENT | 18 mins |
![]() |
Threnody | THRENODY is a somber but luminous progression thro... | Nathaniel Dorsky | 2004 | 16mm film, 18 fps | COLOR | SILENT | 25 mins |
![]() |
Song and Solitude | "Song and Solitude" was conceived and photographed... | Nathaniel Dorsky | 2006 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |