New Films
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New on 16mm: Hotel Cartograph by Scott Stark
a conceptual map of the visible environment […] perhaps drawn by the camera itself
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New on 35mm: Bruce Checefsky’s A Woman And Circles
…a random succession of negative and positive images…
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New on 16mm: Robert Nelson’s The Great Blondino
One of the classics of the American and West Coast avant-garde.
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New on 16mm: Gary Beydler’s Hand Held Day
Beydler’s hand, holding the mirror carefully in front of the camera, quivers and vibrates.
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New on 16mm: Alexander Stewart’s On the Logic of Dubious Historical Accounts, 1969-1972
…a documentation of twelve Hasselblad cameras falling to the lunar surface…
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New on 16mm: Dominic Angerame’s The Soul of Things
“Nothing is apparent to ordinary vision until it is painted upon the window of the soul”
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New on 16mm: Michael Walsh’s Ascent
Ascent by Michael Walsh (16mm, 2009) “Positives negatives lonely sad guns ropes spilt milk glaring landscapes animals birds wives friends the pain and dread and longing and living stories are all left out. Only in between moments when not much is happening do we glimpse. Cinematic art and poetry!! Saying what can’t be said.” – […]
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New on 35mm: Antoni Pinent’s Film Quartet/Polyframe
Film Quartet/Polyframe by Antoni Pinent (35mm with English subtitles, 2006-2008) I’ve seen “FILM QUARTET / POLYFRAME” several times and it continues to astonish me. I love films that bring out the plasticity of the medium and this film is a prime example – as illustrated for instance by the Super 8 frames that were individually […]
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New on 16mm: Maïa Cybelle Carpenter’s Nous
Nous by Maïa Cybelle Carpenter (16mm, 2010) Inquire for availability. Filmed over a nine-year period, a close look at how we build relationships and how relationships build us. A bi-lingual film in French and English. Optical printing done during an artist residency at Liason of Independent Filmmakers of Toronto in 2005. (MCC) Read more and […]
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New on 16mm: Nathaniel Dorsky’s Compline
Compline by Nathaniel Dorsky (16mm, 2009) Compline is a night devotion or prayer, the last of the canonical hours, the final act in a cycle. This film is also the last film I will be able to shoot in Kodachrome, a film stock I have shot since I was 10 years old. It is a […]
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Pat O'NeillDecay of Fiction, The
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1.85:1 screen aspect ratio
The Decay of Fiction is an intersection of fact and hallucination in an abandoned... Read more »