New Acquisitions
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Now Available: Phil Solomon’s Yes, I Said Yes, I Will, Yes
Now available from Canyon Cinema: Phil Solomon’s exquisite 1999 miniature, Yes, I Said Yes, I Will, Yes. The film screens on November 9, 2023 at Anthology Film Archives in Program 3 of the upcoming series “Lost and Found, You Still Remain There”: A Phil Solomon Retrospective, curated by Mark McElhatten. The three-program retrospective is presented […]
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Now Available: Kerry Laitala’s Fire Fly EYE
Fire Fly EYE (2020, 7 minutes, color, sound, digital file) “Fire Fly EYE is my response to the devastating re-making of the world brought on by anthropogenic climate change and corporate ‘stewardship’ of our natural resources. A ritual of reclamation in the face of overwhelming destruction, invoked through filming discarded consumer products, sifting spectacle out of […]
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Now Available: Phil Solomon’s Empire
Empire (Phil Solomon, 2008-2012, 48 minutes, color, sound, digital file) A re-make of Andy Warhol’s Empire from high atop the Manhattan Island of Grand Theft Auto IV (“Liberty City”), far from the madding crowd of thieves, cops, prostitutes and murderers down below. I hijacked a copter, leaped onto the rooftop of an adjacent building, spawned a scooter out of […]
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Now Available: Three New Films by Nathaniel Dorsky
Now available from Canyon Cinema: Three new 16mm portrait films by Nathaniel Dorsky, including: Caracole (for Izcali) (2023, 17.5 minutes, color, sound, 16mm, 18fps) In the last few years I have been making a series of cinematic portraits of young filmmaking friends acting as collaborators in portraiture. There is always a surprise as to what the […]
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Now Available: Stephanie Barber’s Another Horizon
Another Horizon (Stephanie Barber, 2020, 9 minutes, color, sound, 16mm) the horizon, where the sky and the earth meet, is always elsewhere, is a promised place where these two elements come together. a metaphor, an orienting, a promise of transition, change, transcendence. a place where the corporeal and spiritual meet, or are cleaved apart. here, […]
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Now Available: A New Digital Restoration of Lynne Sachs’s Investigation of a Flame
Canyon is pleased to announce that a new digital restoration of Lynne Sachs’s Investigation of a Flame (2001), an intimate, experimental documentary portrait of the Catonsville Nine, is now available. Praised by The Los Angeles Times as “A complex rumination on the power of protest,” and hailed by The Village Voice‘s Phillip Lopate as the best […]
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Now Available: 20 Films + 3 Digital Videos by Amy Halpern
Canyon Cinema is thrilled to announce the acquisition of 23 films and videos by longtime artist member Amy Halpern, all of which are new to Canyon’s collection. Highlights of this major deposit, spanning 50 years of Halpern’s career, include the early suite Opus I (Three Preparations / A Glance / Peach Landscape) (1972-73); 1978’s Cigarette […]
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Now Available: Five New Digital Files from Dorothy Wiley
Canyon Cinema is delighted to announce the acquisition of five new digital files from longtime member Dorothy Wiley! Included amongst this new deposit are 4 titles that were previously available on 16mm – Cabbage, Letters, The Weeny Worm or the Fat Innkeeper, and Zane Forbidden – as well as one film that is new to […]
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Now Available: Three New Films by Federica Foglia
Canyon Cinema is pleased to announce that exhibition files for three new handmade films by Federica Foglia are now available, including: Negative / Positive Film (2023, 14 minutes, b&w, sound, digital file) Negative / Positive Film is a hand-made, camera-less collage film composed of layers of erotic 16mm films from 1920s, 1940s, and 1970s, intermingled with […]
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Now Available: Four New Films from Nathaniel Dorsky
Now available from Canyon Cinema: Four new 16mm films by Nathaniel Dorsky made over the past year, including: Place d’Or (2023, 10 minutes, color, silent, 16mm, 18fps) A rainy autumn afternoon at North Lake in Golden Gate Park. Perhaps the “Square of Gold” is also the screen itself. – N.D. Dialogues (2022, 17.5 minutes, color, silent, 16mm, […]
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Trees and natural artefacts disappear in the flicker effect of landscape compositions where sweeping branches carve moving structures into the... Read more »