16mm
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Now Available: Tomonari Nishikawa’s Light, Noise, Smoke, and Light, Noise, Smoke
Light, Noise, Smoke and Light, Noise, Smoke (2023, 6 min, color, sound, 16mm or digital file) The visual shows the alternation of the shots of fireworks filmed at a summer festival in Japan, producing a distinctive yet organic rhythm, as well as a gap in time between the visual and sound, both of which are […]
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Now Available: Bruce James Cooper’s World Without End
World Without End (2023, 8 minutes color, silent, 16mm) “In his World Without End, Bruce Cooper proposes and proves a universe of multiple dimensions, or perhaps parallel universes gently colliding with each other. Abstractions of redolent blue, backwoods landscapes of autumn leaves, Malick-ian fields of wheat, flowing water in many guises, worlds of animal, and […]
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Now Available: New Digital Files and Prints from Jerome Hiler
Canyon Cinema is pleased to announce that new digital files and 4K DCPs of Jerome Hiler‘s films are now available for rent. Revised 16mm versions of New Shores (1971-87) and In the Stone House (2012) are also now available from Canyon. In addition, from May 9–16, 2024, the Museum of Modern Art in New York […]
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Now Available: Nathaniel Dorsky’s O Death
O Death (Nathaniel Dorsky, 2023, 5 minutes, color, silent, 16mm, 18fps) In the spirit of the times and my own growing older, a brief tip of the hat… – N.D.
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New Artist Member: Jenni Olson
Canyon Cinema is thrilled to welcome Jenni Olson to the collection! Jenni Olson is a queer film historian and archivist, writer, and non-fiction filmmaker based in Berkeley, California. Her two feature-length essay films — The Joy of Life (2005) and The Royal Road (2015) — premiered at the Sundance Film Festival and, like her many short films, have screened internationally […]
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1/18/2024 – Portraits and Short Visual Diaries: A Salon with Margaret Rorison
Portraits and Short Visual Diaries: A Salon with Margaret RorisonThursday, January 18, 2024 @ 7:30pm (doors 7pm)16 Sherman Street, San Francisco Curated and introduced by Margaret Rorison “This selection of 10 short films celebrates the mobile nature of the 16mm camera, and the limitations of its mechanism that allow for true experimentation and play. The […]
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Announcing Print Generations: A Canyon Cinema Commissioning Project
Canyon Cinema Foundation invites applications for Print Generations, a new film commissioning project. Inspired by the 16mm Centenary (1923-2023), this project will support the production of four new 16mm films by an intergenerational cohort of Bay Area artists, comprising two current Canyon members and two non-members. The program is supported by the Owsley Brown III […]
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New Artist Member: Harry Smith
Canyon Cinema is pleased to welcome the films of Harry Smith to the collection! “Harry Smith (1923-1991) was an artist whose activities and interests put him at the center of the mid 20th-century American avant-garde. Although best known as a filmmaker and musicologist, he frequently described himself as a painter, and his varied projects called on his […]
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Now Available: Phil Solomon’s Yes, I Said Yes, I Will, Yes
Now available from Canyon Cinema: Phil Solomon’s exquisite 1999 miniature, Yes, I Said Yes, I Will, Yes. The film screens on November 9, 2023 at Anthology Film Archives in Program 3 of the upcoming series “Lost and Found, You Still Remain There”: A Phil Solomon Retrospective, curated by Mark McElhatten. The three-program retrospective is presented […]
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Canyon Cinema Awarded NFPF Avant-Garde Masters Grant to Preserve Two Films by Michael Wallin
Canyon Cinema is pleased to announce that we have received a National Film Preservation Foundation (NFPF) – Avant-Garde Masters grant to preserve two films by Bay Area filmmaker Michael Wallin. A pioneer in San Francisco’s queer avant-garde cinema scene, Wallin began making films in 1968 while studying under experimental film legend, and Canyon Cinema co-founder, Bruce […]