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Results 1 - 20 of 64
Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
---|---|---|---|---|---|---|---|---|
Silk Ties | "Jennings' latest is a dense chiaroscuro NYC citys... | Jim Jennings | 2006 | 16mm film | B&W | SILENT | 10 mins | |
Made in Chinatown | "I met Jim with Henry (Hills) and Vincent (Grenier... | Jim Jennings | 2005 | 16mm film | COLOR | SILENT | 7 mins | |
99 Clerkenwell Road | Filmed in an empty shop, the remaining features of... | Sophie Michael | 2010 | 16mm film | COLOR | SILENT | 8 mins | |
Summerwind | Part three of this trilogy. The world is seen from... | Nathaniel Dorsky | 1965 | 16mm film | COLOR | OPT | 14 mins | |
Ingreen | The first of three films depicting the emergence f... | Nathaniel Dorsky | 1964 | 16mm film | COLOR | OPT | 12 mins | |
Chartres Series | A year and a half ago the filmmaker Nick Dorsky, h... | Stan Brakhage | 1994 | 16mm film | COLOR | SILENT | 8.5 mins | |
White Heart | WHITE HEART is one of those 'famous' films that pr... | Daniel Barnett | 1975 | 16mm film | COLOR | SOUND | 53 mins | |
Fall Trip Home, A | The second in the trilogy, it is less a psychodram... | Nathaniel Dorsky | 1964 | 16mm film | COLOR | SOUND | 11 mins | |
Canticles | A strange autumnal in an empty world, a film of la... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 16 mins | |
Colophon (for the Arboretum Cycle) | Colophon (for the Arboretum Cycle) has three secti... | Nathaniel Dorsky | 2018 | 16mm film, 18 fps | COLOR | SILENT | 13.5 mins | |
The Arboretum Cycle | "For the past several years California experienced... | Nathaniel Dorsky | 2017 | 16mm film, 18 fps | COLOR | SILENT | 137 mins | |
Dreamer, The | This year our mid-summer's night was adorned with ... | Nathaniel Dorsky | 2016 | 16mm film, 18 fps | COLOR | SILENT | 19 mins | |
Calyx | I photographed Calyx during the rather tense twent... | Nathaniel Dorsky | 2018 | 16mm film, 18 fps | COLOR | SILENT | 13 mins | |
Interlude |
A brief lost moment lies between. N.D. ... |
Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 11 mins | |
William | William Brown, the son of my dear friend, Owsley B... | Nathaniel Dorsky | 2020 | 16mm film, 18 fps | B&W | SILENT | 12.5 mins | |
Lamentations | Lamentations is a cinematic tumble through diverse... | Nathaniel Dorsky | 2020 | 16mm film, 18 fps | COLOR | SILENT | 14 mins | |
Temple Sleep | Temple Sleep was photographed and edited during th... | Nathaniel Dorsky | 2020 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins | |
Terce | Terce is the sixth film made during the Covid cris... | Nathaniel Dorsky | 2021 | 16mm film, 18 fps | COLOR | SILENT | 16.5 mins | |
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins | |
Ember Days | Ember Days is the fifth film made during the Covid... | Nathaniel Dorsky | 2021 | 16mm film, 18 fps | COLOR | SILENT | 10.5 mins |