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Results 2001 - 2020 of 3790
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| 24/70: Western | Kurt Kren | 1970 | 16mm film | COLOR | SILENT | 3 mins | ||
| 26/71: Zeichenfilm - Balzac und das Auge Gottes | "26/71: ZEICHENFILM - BALZAC UND DAS AUGE GOTTES i... | Kurt Kren | 1971 | 16mm film | B&W | SILENT | 1 mins | |
| 27/71: Auf der Pfaueninsel | With Anni Brus, Diana Brus, Gunter Brus, Alois Egg... | Kurt Kren | 1971 | 16mm film | B&W | SILENT | 1 mins | |
| 28/73: Zeitaufnahme(n) Time Exposure | Kurt Kren | 1973 | 16mm film | COLOR | SILENT | 3 mins | ||
| 3/60 Baume im Herbst (Trees in Autumn) | "The first embodiment of [a] concept of structural... | Kurt Kren | 1960 | 16mm film | B&W | SOUND | 5 mins | |
| St. Teresa | After Bernini's "Ecstasy": baroque excess and daz... | Gary Adlestein | 1983 | 16mm film, 18 fps | COLOR | SOUND | 4.5 mins | |
|
Georgia | "A perfect tone poem of a film - within its short ... | Gordon Ball | 1966 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
| Absence |
Super 8 Films The following films were all made... |
Stan Brakhage | 1976 | 16mm film, 18 fps | COLOR | SILENT | 6.5 mins | |
| Sexual Meditation #1: Motel | This film was originally photographed in 1970 in r... | Stan Brakhage | 1980 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |
| Songs 1-7 | After much technical difficulty and elaborate col... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 17 mins | |
| Songs 16-22 | SONG 16 - a flowering of sex as in the mind's eye,... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 23.5 mins | |
| Songs 8-14 | Sea creatures; wedding source and substance; sitti... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 19 mins | |
| Form Phases III | Different stages of paintings made with ink. The i... | Robert Breer | 1954 | 16mm film, 18 fps | COLOR | SILENT | 3.5 mins | |
| Form Phases I | The two-dimensionality of the painted and cut-out ... | Robert Breer | 1952 | 16mm film, 18 fps | COLOR | SILENT | 2 mins | |
| Killman | The adventures of an insidious fiend, whose chief ... | Herb De Grasse | 1966 | 16mm film, 18 fps | B&W | SILENT | 16 mins | |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
|
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
|
Triste | TRISTE is an indication of the level of cinema lan... | Nathaniel Dorsky | 1996 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |