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Results 2001 - 2020 of 3701
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Arnulf Rainer | "He has even created a film (called ARNULF RAINER)... | Peter Kubelka | 1960 | 16mm film | B&W | OPT | 7 mins | |
| Mosaik in Vertrauen | Born March 23, 1934 in Vienna, Austria. Independen... | Peter Kubelka | 1955 | 16mm film | COLOR/B&W | OPT | 17 mins | |
| Pause! | Peter Kubelka | 1977 | 16mm film | COLOR | OPT | 12 mins | ||
| Schwechater |
A reel of two prints. My films give the greates... |
Peter Kubelka | 1958 | 16mm film | COLOR | OPT | 1 mins | |
| Unsere Afrikareise | Museum of Modern Art, 1967: "New Cinema - An Inter... | Peter Kubelka | 1966 | 16mm film | COLOR | OPT | 13 mins | |
| Kubelka One Man Show | Includes Mosaik im Vertrauen, Adebar, Schwechater,... | Peter Kubelka | 1966 | 16mm film | COLOR/B&W | OPT | 48 mins | |
| St. Teresa | After Bernini's "Ecstasy": baroque excess and daz... | Gary Adlestein | 1983 | 16mm film, 18 fps | COLOR | SOUND | 4.5 mins | |
|
Georgia | "A perfect tone poem of a film - within its short ... | Gordon Ball | 1966 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
| Absence |
Super 8 Films The following films were all made... |
Stan Brakhage | 1976 | 16mm film, 18 fps | COLOR | SILENT | 6.5 mins | |
| Sexual Meditation #1: Motel | This film was originally photographed in 1970 in r... | Stan Brakhage | 1980 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |
| Songs 1-7 | After much technical difficulty and elaborate col... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 17 mins | |
| Songs 16-22 | SONG 16 - a flowering of sex as in the mind's eye,... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 23.5 mins | |
| Songs 8-14 | Sea creatures; wedding source and substance; sitti... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 19 mins | |
| Form Phases III | Different stages of paintings made with ink. The i... | Robert Breer | 1954 | 16mm film, 18 fps | COLOR | SILENT | 3.5 mins | |
| Form Phases I | The two-dimensionality of the painted and cut-out ... | Robert Breer | 1952 | 16mm film, 18 fps | COLOR | SILENT | 2 mins | |
| Killman | The adventures of an insidious fiend, whose chief ... | Herb De Grasse | 1966 | 16mm film, 18 fps | B&W | SILENT | 16 mins | |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
|
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |