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Results 1981 - 2000 of 3902
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Idea, The | Set in 1912, this surreal experimental narrative i... | Bill Knowland | 1990 | 16mm film | COLOR | SOUND | 20 mins | |
| Implosions | The heated intensity of modern civilization is por... | Bill Knowland | 1978 | 16mm film | COLOR | SOUND | 8 mins | |
| Masks of Illusions | The many masks of sculptor Horace Washington are e... | Bill Knowland | 1986 | 16mm film | COLOR | SOUND | 8 mins | |
| Undertow | The story of Mike and his impressionistic relation... | Bill Knowland | 1980 | 16mm film | COLOR | SOUND | 15 mins | |
| Frame | A seashore landscape, structured first by a moving... | Ken Kobland | 1977 | 16mm film | COLOR | SOUND | 10 mins | |
| Landscape and Desire | The film was initially shot in Super 8, between Ju... | Ken Kobland | 1981 | 16mm film | COLOR/B&W | SOUND | 55 mins | |
| Picking up the Pieces | A 17-image exercise using freeze frames of a tenem... | Ken Kobland | 1978 | 16mm film | COLOR | SILENT | 11 mins | |
| Vestibule (in 3 Episodes) | Ruminations on a very familiar city place/space; o... | Ken Kobland | 1978 | 16mm film | COLOR/B&W | SOUND | 24 mins | |
| Shanghaied Text, The | ...a Montana landscape evolves into a manic rumina... | Ken Kobland | 1996 | 16mm film | COLOR | SOUND | 20 mins | |
| St. Teresa | After Bernini's "Ecstasy": baroque excess and daz... | Gary Adlestein | 1983 | 16mm film, 18 fps | COLOR | SOUND | 4.5 mins | |
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Georgia | "A perfect tone poem of a film - within its short ... | Gordon Ball | 1966 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
| Absence |
Super 8 Films The following films were all made... |
Stan Brakhage | 1976 | 16mm film, 18 fps | COLOR | SILENT | 6.5 mins | |
| Sexual Meditation #1: Motel | This film was originally photographed in 1970 in r... | Stan Brakhage | 1980 | 16mm film, 18 fps | COLOR | SILENT | 5 mins | |
| Songs 1-7 | After much technical difficulty and elaborate col... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 17 mins | |
| Songs 16-22 | SONG 16 - a flowering of sex as in the mind's eye,... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 23.5 mins | |
| Songs 8-14 | Sea creatures; wedding source and substance; sitti... | Stan Brakhage | 1966 | 16mm film, 18 fps | COLOR | SILENT | 19 mins | |
| Form Phases III | Different stages of paintings made with ink. The i... | Robert Breer | 1954 | 16mm film, 18 fps | COLOR | SILENT | 3.5 mins | |
| Form Phases I | The two-dimensionality of the painted and cut-out ... | Robert Breer | 1952 | 16mm film, 18 fps | COLOR | SILENT | 2 mins | |
| Killman | The adventures of an insidious fiend, whose chief ... | Herb De Grasse | 1966 | 16mm film, 18 fps | B&W | SILENT | 16 mins | |
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17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |

