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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Under a Broad Grey Sky |
(aka Sous un grand ciel gris) Light and time sh... |
Thad Povey | 1996 | 16mm film | COLOR | OPT | 5 mins | |
| Triptych | An excursion into the world of hand-made film emul... | Robert Schaller | 1996 | 16mm film | B&W | SILENT | 3 mins | |
| Triptych (35mm Version) | An excursion into the world of hand-made film emul... | Robert Schaller | 1996 | 35mm film | 3 mins | |||
| Tuning the Sleeping Machine | "Tuning the Sleeping Machine maintains a dr... | David Sherman | 1996 | 16mm film | COLOR | OPT | 13 mins | |
| Prelude | A study of time, memory and actuality that takes p... | Guy Sherwin | 1996 | 16mm film | B&W | OPT | 12 mins | |
| Flight | "Meticulous and fleet, Greta Snider's FLIGHT is a ... | Greta Snider | 1996 | Digital File | B&W | SILENT | 5 mins | |
|
Portland | The film is a documentary road movie about travel,... | Greta Snider | 1996 | Digital File | B&W | OPT | 12 mins |
| Why Live Here? | WHY LIVE HERE? explores three characters' reaction... | Mark Street | 1996 | 16mm film | COLOR | SOUND | 50 mins | |
|
Hardwood Process | A hand-made diary film generated from alternative ... | David Gatten | 1996 | 16mm film | COLOR | SILENT | 14 mins |
| angus mustang | A short trip around, like a poem or a nostalgia fo... | Stephanie Barber | 1996 | 16mm film | COLOR | SOUND | 4 mins | |
| woman stabbed to death | WOMAN STABBED TO DEATH is a short film concerned w... | Stephanie Barber | 1996 | 16mm film | B&W | OPT | 8.5 mins | |
|
Spring Flavor |
Originally Super 8. The alchemy and texture of ... |
Ken Paul Rosenthal | 1996 | 16mm film | COLOR | SILENT | 3 mins |
| Taschenkino-Pocket Cinema-The Catalogue | 100 Elements of repetition in Life and Film. Rhyth... | Gustav Deutsch | 1996 | 16mm film | B&W | SOUND | 30 mins | |
|
Critical Mass | Shot on Super 8 and blown up to 16mm for a dreamli... | John Cannizzaro | 1996 | Digital File | COLOR | SOUND | 50 mins |
| Easter Blues | A delicate window study. "Outside, spring had come... | James Otis | 1996 | 16mm film | COLOR | SILENT | 4 mins | |
|
Upper Blue Lake | Coming to grips with landscape via pseudo-hyper-st... | James Otis | 1996 | 16mm film | COLOR | SILENT | 12 mins |
| Vervielfaltigung | "Duplication [many-making] is in as much progress ... | James Otis | 1996 | 16mm film | B&W | OPT | 4 mins | |
|
Happy-End | "HAPPY-END is a found-footage film. The original m... | Peter Tscherkassky | 1996 | 35mm film | COLOR | OPT | 12 mins |
|
Super 8 Diary - 1996 | Robert Huot | 1996 | Digital File | COLOR | SOUND | 19 mins | |
|
Third | Third is an experimental narrative with a s... | Raymond Rea | 1996 | 16mm film | COLOR | OPT | 8.5 mins |