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Results 2641 - 2660 of 3706
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Summerwind | Part three of this trilogy. The world is seen from... | Nathaniel Dorsky | 1965 | 16mm film | COLOR | OPT | 14 mins |
|
Triste | TRISTE is an indication of the level of cinema lan... | Nathaniel Dorsky | 1996 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
|
Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Variations | VARIATIONS blossomed forth while shooting addition... | Nathaniel Dorsky | 1998 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
|
Arbor Vitae | ARBOR VITAE is a gesture towards a cinema of pure ... | Nathaniel Dorsky | 2000 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Love's Refrain | Perhaps the most delicately tactile in this series... | Nathaniel Dorsky | 2001 | 16mm film, 18 fps | COLOR | SILENT | 22.5 mins |
|
Visitation, The |
The first of two devotional songs. Part One of ... |
Nathaniel Dorsky | 2002 | 16mm film, 18 fps | COLOR | SILENT | 18 mins |
|
Threnody | THRENODY is a somber but luminous progression thro... | Nathaniel Dorsky | 2004 | 16mm film, 18 fps | COLOR | SILENT | 25 mins |
|
Song and Solitude | "Song and Solitude" was conceived and photographed... | Nathaniel Dorsky | 2006 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Winter | San Francisco's winter is a season unto itself. Fl... | Nathaniel Dorsky | 2007 | 16mm film, 18 fps | COLOR | SILENT | 21.5 mins |
|
Sarabande | Dark and stately is the warm, graceful tenderness ... | Nathaniel Dorsky | 2008 | 16mm film, 18 fps | COLOR | SILENT | 15 mins |
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Aubade | An aubade is a poem or morning song evoking the fi... | Nathaniel Dorsky | 2010 | 16mm film, 18 fps | COLOR | SILENT | 11.5 mins |
|
Compline | Compline is a night devotion or prayer, the last o... | Nathaniel Dorsky | 2009 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
|
Pastourelle | A pastourelle and an aubade are two different form... | Nathaniel Dorsky | 2010 | 16mm film, 18 fps | COLOR | SILENT | 16.5 mins |
|
Return, The |
Like a memory already gone, this place of life ... |
Nathaniel Dorsky | 2011 | 16mm film, 18 fps | COLOR | SILENT | 27 mins |
| Aporia I | "It hurt my eyes, there was too much TV in it." - ... | Gary Doberman | 1981 | 16mm film | COLOR | SILENT | 11.5 mins | |
| Aporia II | "This is the one that is perfectly balanced ... th... | Gary Doberman | 1982 | 16mm film | COLOR | SILENT | 9.5 mins | |
| Aporia III | "After seeing this film, I can now really understa... | Gary Doberman | 1983 | 16mm film | COLOR | SILENT | 24.5 mins | |
| Aporia IV | "... the line between public and private imagery."... | Gary Doberman | 1984 | 16mm film | COLOR | SILENT | 11.5 mins | |
| Aporia V | "A narrative so to speak, a threatening environmen... | Gary Doberman | 1985 | 16mm film | COLOR | SILENT | 10.5 mins |