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Results 2621 - 2640 of 3701
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Caracole (for Mac) | Mac McGinnes, a dear friend and neighbor, often sa... | Nathaniel Dorsky | 2022 | 16mm film, 18 fps | COLOR | SILENT | 7 mins |
|
Naos | A Naos is the inner room of an ancient Greek templ... | Nathaniel Dorsky | 2022 | 16mm film, 18 fps | COLOR | SILENT | 12 mins |
|
Place d'Or | A rainy autumn afternoon at North Lake in Golden G... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 10 mins |
|
Dialogues |
The ever-presence of death. - N.D. ... |
Nathaniel Dorsky | 2022 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
|
Pavane | How often and varied we come upon ourselves in thi... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 11.5 mins |
|
Caracole (for Izcali) | In the last few years I have been making a series ... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 17.5 mins |
|
Caracole (for Cecilia) | Caracole (for Cecilia) is the first in a br... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
|
O Death | In the spirit of the times and my own growing olde... | Nathaniel Dorsky | 2023 | 16mm film, 18 fps | COLOR | SILENT | 5 mins |
|
17 Reasons Why |
16 fps or 18 fps 17 REASONS WHY was ph... |
Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 19 mins |
|
Ariel | ARIEL is a highly energetic and colorful divertiss... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 16 mins |
|
Fall Trip Home, A | The second in the trilogy, it is less a psychodram... | Nathaniel Dorsky | 1964 | 16mm film | COLOR | SOUND | 11 mins |
|
Hours for Jerome Part I | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 21 mins |
|
Hours for Jerome Part II | This footage was shot and edited from 1966 to 1970... | Nathaniel Dorsky | 1966-70/82 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
| Ingreen | The first of three films depicting the emergence f... | Nathaniel Dorsky | 1964 | 16mm film | COLOR | OPT | 12 mins | |
|
Pneuma | In Stoic philosophy "pneuma" is the "soul" or fier... | Nathaniel Dorsky | 1983 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Summerwind | Part three of this trilogy. The world is seen from... | Nathaniel Dorsky | 1965 | 16mm film | COLOR | OPT | 14 mins |
|
Triste | TRISTE is an indication of the level of cinema lan... | Nathaniel Dorsky | 1996 | 16mm film, 18 fps | COLOR | SILENT | 18.5 mins |
|
Alaya | Sand, wind, and light intermingle with the emulsio... | Nathaniel Dorsky | 1987 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |
|
Variations | VARIATIONS blossomed forth while shooting addition... | Nathaniel Dorsky | 1998 | 16mm film, 18 fps | COLOR | SILENT | 24 mins |
|
Arbor Vitae | ARBOR VITAE is a gesture towards a cinema of pure ... | Nathaniel Dorsky | 2000 | 16mm film, 18 fps | COLOR | SILENT | 28 mins |