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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
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| Grand Canary, The | I kept wanting to call this THE BIG CANARY, faceti... | Lyle Pearson | 16mm film | COLOR | OPT | 3 mins | ||
| Lackluster |
Credits: Lyle Pearson and Noel Clayton. The fou... |
Lyle Pearson | 16mm film | COLOR | OPT | 3 mins | ||
| Meanwhile |
Two parts: One - an intense survey of my room, ... |
Lyle Pearson | 16mm film | B&W | OPT | 3 mins | ||
| Secret of Quetzacotal |
Credits: Lyle Pearson and Jerry Rodgers. The hi... |
Lyle Pearson | 16mm film | COLOR | OPT | 3 mins | ||
| Bright | An animated film setting forth a way of viewing th... | Philip Perkins | 1976 | 16mm film | COLOR | OPT | 3 mins | |
| The Story of AARGH-X (Part One) | A wild main, raised by wolves. A woman of adventur... | Thad Povey | 1997 | 16mm film | COLOR | SOUND | 3 mins | |
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Flowers #2 | Philip Hoffman | 2023 | Digital File | COLOR | SILENT | 3 mins | |
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Flowers #1 |
A film by Philip Hoffman and Alexander Granger ... |
Philip Hoffman | 2022 | Digital File | COLOR | SILENT | 3 mins |
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Figure and I | "Kristine Leschper wrote to me with a very intrigu... | Lynne Sachs | 2021 | Digital File | 3 mins | ||
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And The Sea Is Yours | And The Sea Is Yours (from Letters to Those Concer... | Patrick Halm | 2021 | Digital File | COLOR | SOUND | 3 mins |
| Too Young | Taking off where Brooke Shields left us in her Cal... | Elizabeth Sher | 1982 | 16mm film | COLOR | OPT | 3 mins | |
| Tails | A series of tail ends of varied strips of film, wi... | Paul Sharits | 1976 | 16mm film | COLOR | SILENT | 3 mins | |
| Triptych (35mm Version) | An excursion into the world of hand-made film emul... | Robert Schaller | 1996 | 35mm film | 3 mins | |||
| Triptych | An excursion into the world of hand-made film emul... | Robert Schaller | 1996 | 16mm film | B&W | SILENT | 3 mins | |
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The Jitters | I wanted to create a film with my Bolex 16mm camer... | Lynne Sachs | 2023 | Digital File | B&W | SILENT | 3 mins |
| See What You Hear What You See | "While in the 1970s, Hammer's work enthusiasticall... | Barbara Hammer | 1983 | 16mm film | B&W | SOUND | 3 mins | |
| A Gay Day | credit: "Restored by the Yale Film Archive and the... | Barbara Hammer | 1973 | 16mm film | COLOR | SOUND | 3 mins | |
| Why Are We Here | Starring MX-80 Sound. Directed by Graeme Whifler.\... | Ralph Records, aka Cryptic Corporation | 1981 | 16mm film | COLOR | SOUND | 3 mins | |
| Study in Diachronic Motion | A first experiment in diachronic motion: the simul... | Peter Rose | 1975 | 16mm film | COLOR | SILENT | 3 mins | |
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Small Ones, The | During World War II, the United States Army hired ... | Lynne Sachs | 2006 | Digital File | COLOR | SOUND | 3 mins |

