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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Los | The second episode of Benning's 'California Trilog... | James Benning | 2000 | 16mm film | COLOR | SOUND | 90 mins |
|
El Valley Centro | All of James Benning's films share an affinity wit... | James Benning | 1999 | 16mm film | COLOR | SOUND | 90 mins |
|
City Edition | "The newspaper page ... you have very loud and noi... | Alan Berliner | 1980 | 16mm film | B&W | SOUND | 10 mins |
|
Everywhere at Once | EVERYWHERE AT ONCE is a musical montage, a synchro... | Alan Berliner | 1985 | Digital File | COLOR | SOUND | 10 mins |
|
Intimate Stranger | INTIMATE STRANGER is the story of my grandfather J... | Alan Berliner | 1991 | 16mm film | COLOR/B&W | SOUND | 60 mins |
|
Myth in the Electric Age | Themes of earth, air, fire and water amidst the rh... | Alan Berliner | 1981 | 16mm film | COLOR | SOUND | 14 mins |
| Natural History |
From there to here ... from then to now. The so... |
Alan Berliner | 1983 | 16mm film | COLOR | SOUND | 13 mins | |
|
Nobody's Business | Alan Berliner takes on his reclusive father as the... | Alan Berliner | 1996 | 16mm film | COLOR/B&W | OPT | 60 mins |
|
Family Album, The | THE FAMILY ALBUM is a one-hour experimental docume... | Alan Berliner | 1986 | 16mm film | B&W | OPT | 60 mins |
| Aleph (untitled) | "This film took a decade to make and is the only t... | Wallace Berman | 1958-1976 | 16mm film, 18 fps | COLOR | SILENT | 9 mins | |
| Dream Screen, The | "In THE DREAM SCREEN, Stephanie Beroes' concern is... | Stephanie Beroes | 1986 | COLOR/B&W | SOUND | 45 mins | ||
| Light Sleeping | LIGHT SLEEPING is an erotic fantasy of sensual lov... | Stephanie Beroes | 1975 | COLOR | SOUND | 4 mins | ||
| Recital | This is an experimental film with several experime... | Stephanie Beroes | 1978 | COLOR | SOUND | 20 mins | ||
| Valley Fever | Inspired by Merleau-Ponty's statement, "there is a... | Stephanie Beroes | 1979 | COLOR | SOUND | 20 mins | ||
|
Pasadena Freeway Stills | "I had one of my graduate students drive the car, ... | Gary Beydler | 1974 | 16mm film | COLOR | SILENT | 6 mins |
|
Venice Pier | "I wanted to make a film that was exactly one year... | Gary Beydler | 1976 | 16mm film | COLOR | OPT | 16 mins |
|
Hand Held Day | "Beydler's magical Hand Held Day is his most unaba... | Gary Beydler | 1975 | 16mm film | COLOR | SILENT | 6 mins |
|
Glass Face | "Like Los Ojos, Glass Face shows off Beydler's mor... | Gary Beydler | 1975 | 16mm film | COLOR | SILENT | 3 mins |
| Los Ojos | Only slightly over a minute in length, Gary Beydle... | Gary Beydler | 1975 | 16mm film | COLOR | SILENT | 1.5 mins | |
| Montage | "In Gregg Biermann's 17 minute MONTAGE allusive o... | Gregg Biermann | 1990 | 16mm film | B&W | SOUND | 17 mins |