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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Untied | A small portrait of the volatility of intimacy, an... | Deborah Stratman | 2001 | 16mm film | COLOR/B&W | SOUND | 3 mins |
|
Untitled | A performance film consisting of a string of five ... | Rajee Samarasinghe | 2019 | Digital File - DCP | COLOR | SILENT | 4 mins |
| Untitled (earth) | A duet of found film material and video. The 35mm ... | Julie Murray | 2017 | Digital File | COLOR | SOUND | 10 mins | |
| Untitled (For Marilyn) | An untitled hand-painted film - a hypnagogic four-... | Stan Brakhage | 1992 | 16mm film | COLOR | SILENT | 10.5 mins | |
|
Untitled (Horse) | A symbiotic collaboration in movie motion. The log... | Rajee Samarasinghe | 2014 | Digital File - DCP | B&W | SOUND | 5 mins |
|
Untitled (light) | "The film's haunting images are accompanied by the... | Julie Murray | 2002 | 16mm film | COLOR | OPT | 5 mins |
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Untitled (Objects 3) | A pink paper shape is examined through the clear p... | Sophie Michael | 2008 | 16mm film | COLOR | SILENT | 3 mins |
|
Untitled 1987 | UNTITLED 1987 challenges our common perception of ... | Barry Hershey | 1989 | 16mm film | COLOR | OPT | 7 mins |
| Untitled 1989 | An exploration of paradox, irony and betrayal with... | Jerry Orr | 1989 | Super 8mm, 24 fps | B&W | SOUND | 14 mins | |
|
Untitled Part 1 Keeping |
Untitled Part 1 Keeping by Patrick Halm The kee... |
Patrick Halm | 2004 | Digital File | COLOR | SOUND | 18 mins |
|
Up and Atom |
Music by Fletcher Henderson. 'Acid Bird' sculpt... |
Doug Wendt | 1970 | Digital File | COLOR | OPT | 3 mins |
| Up and Down the Waterfront | Crates and boxes unloading in the morning, lonely ... | Rudy Burckhardt | 1946 | 16mm film | B&W | SOUND | 8 mins | |
| Up The Block One Sunday | "Unburdened by any sort of narration or pretension... | Dick Blau | 1982 | 16mm film | COLOR | SOUND | 12.5 mins | |
| Upon a Time | A fanciful dissection of the traditional western s... | Deborah Stratman | 1991 | 16mm film | SOUND | 10 mins | ||
| Upper Blue Lake | Coming to grips with landscape via pseudo-hyper-st... | James Otis | 1996 | 16mm film | COLOR | SILENT | 12 mins | |
| Urine Man | Production Manager:Nate Longcope. Sound Recordist:... | Greta Snider | 2000 | 16mm film | COLOR | OPT | 6 mins | |
| US Down by the Riverside | "USCO light, Beatles sound. A visionary realizatio... | Jud Yalkut | 1966 | 16mm film | COLOR | OPT | 3 mins | |
| Usher | "Let me show you to your seat." Bill plays a blind... | Gary Goldberg | 1991 | 16mm film | B&W | SILENT | 11 mins | |
| Utopia | The opening credits for UTOPIA read: "Except for s... | James Benning | 1998 | 16mm film | COLOR | SOUND | 93 mins | |
|
Vacancy |
sound/music: Dirk Schaefer "In its relentless l... |
Matthias Muller | 1998 | Digital File | COLOR | SOUND | 15 mins |