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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| 10/65: Self-Mutilation | "Kren's 10/65: SELF-MUTILATION is developed from a... | Kurt Kren | 1965 | 16mm film | B&W | SILENT | 6 mins | |
| 12/66: Cosinus Alpha | "Kren's last film to include any direct reference ... | Kurt Kren | 1966 | COLOR | SILENT | 10 mins | ||
| 7/64: Leda and the Swan [Materialaktion: Otto Muehl] | "Kren's next film was 7/64: LEDA AND THE SWAN, als... | Kurt Kren | 1964 | 16mm film | COLOR | SILENT | 3 mins | |
|
Figure and I | "Kristine Leschper wrote to me with a very intrigu... | Lynne Sachs | 2021 | Digital File | 3 mins | ||
| Painting the Town | "Last autumn on a series of weekend nights I went ... | Jim Jennings | 1998 | 16mm film | B&W | SILENT | 10 mins | |
| Runaway | "Lawder achieves the perfection of all his techniq... | Standish Lawder | 1969 | 16mm film | B&W | OPT | 6 mins | |
| Usher | "Let me show you to your seat." Bill plays a blind... | Gary Goldberg | 1991 | 16mm film | B&W | SILENT | 11 mins | |
|
Lulu | "Lewis Klahr has developed a signature style of cu... | Lewis Klahr | 1996 | 16mm film | COLOR | OPT | 3 mins |
|
Downs are Feminine | "Lewis Klahr's DOWNS ARE FEMININE unveils a kind o... | Lewis Klahr | 1994 | 16mm film | COLOR | SOUND | 9 mins |
|
Path, The | "Light as the symbol of the ineffable. The 'plot' ... | Richard Myers | 1961 | 16mm film | B&W | SILENT | 20 mins |
| Light Lick: By the Waters of Babylon: Jamming | "Light Licks: By the Waters of Babylon: Jamming" i... | Saul Levine | 2004 | 16mm film, 18 fps | COLOR | SILENT | 21 mins | |
| Florence | "Like Hutton's previous films, FLORENCE is a conte... | Peter Hutton | 1975 | 16mm film | B&W | SILENT | 7 mins | |
|
Glass Face | "Like Los Ojos, Glass Face shows off Beydler's mor... | Gary Beydler | 1975 | 16mm film | COLOR | SILENT | 3 mins |
|
Prefaces | "Like ORNAMENTALS, PREFACES is an abstract work wh... | Abigail Child | 1981 | 16mm film | COLOR | SOUND | 10 mins |
|
Buffalofilm | "Lipzin's films have been a positive and often per... | Janis Crystal Lipzin | 1974 | Super 8mm, 18 fps | COLOR | SILENT | 11 mins |
|
Gargantuan | "London artist John Smith uses light-hearted humou... | John Smith | 1992 | Digital File | COLOR | OPT | 1 mins |
| Fearful Symmetry | "Long live dynamic geometry, the movement of point... | Michael Wallin | 1981 | 16mm film | COLOR | SILENT | 15 mins | |
|
Love It/Leave It | "LOVE IT/LEAVE IT is a raucous treatment of patrio... | Tom Palazzolo | 1973 | 16mm film | COLOR | OPT | 15 mins |
| Cum Foo | "Lush color...rich black and white...fascinating n... | Robert Huot | 1981 | Super 8mm, 24 fps | COLOR/B&W | MAG | 11.5 mins | |
|
Translation Series | "Lynn Marie Kirby belongs to that small group of a... | Lynn Marie Kirby | 1997-2003 | DVD | COLOR | 27 mins |