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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Composition in Blue | "COMPOSITION shares the same jolly atmosphere as t... | Oskar Fischinger | 1935 | 16mm film | COLOR | OPT | 4 mins |
| 6/64: Mama and Papa [Materialaktion: Otto Muehl] | "With the making of his sixth film, 6/64: MAMA AND... | Kurt Kren | 1964 | 16mm film | COLOR | SILENT | 4 mins | |
| November Sketches | Made in collaboration with Peter Hakansen. Music: ... | Corwin Fergus | 1978 | 16mm film | COLOR | SOUND | 4 mins | |
|
Be Like Them | "In the volume of those alien voices, sending out ... | Thad Povey | 2000 | 16mm film | COLOR | OPT | 4 mins |
| Salt of the Sea | Founded under water ... all at sea ... made at lan... | Saul Levine | 1965 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
| Vervielfaltigung | "Duplication [many-making] is in as much progress ... | James Otis | 1996 | 16mm film | B&W | OPT | 4 mins | |
| Scrape |
Portrait of Laurie McKenna aka Bud Scrape. ... |
Saul Levine | 1986 | Super 8mm, 18 fps | COLOR | SOUND | 4 mins | |
| Queen of Night Gotta Box of Light | Starring Vivian Kurz, with Ivan Cohn, Andrew Meyer... | Saul Levine | 1965 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | |
|
Note to Poli | "A note to the filmmaker Poli Marechal 'about' pen... | Saul Levine | 1983 | Super 8mm, 18 fps | COLOR | SILENT | 4 mins |
| Jacobs' Ladder | All is inevitably one. With the golden mean as see... | James Otis | 1981 | 16mm film | B&W | SILENT | 4 mins | |
|
Adventures of Aargh-X (Wildman of Mystery) Episode One | Discovered running loose in the streets of the cit... | Thad Povey | 1999 | 16mm film | COLOR | OPT | 4 mins |
|
As Is Is | Kerry Laitala delivers an elegiac account of the p... | Saul Levine | 1991 | Super 8mm, 18 fps | COLOR | SOUND | 4 mins |
| Motion Studies: Ninety Five | This film was made in 1995 when many film institut... | Mark Wilson | 1995 | 16mm film, 18 fps | B&W | SILENT | 4 mins | |
|
Caracole (for Cecilia) | Caracole (for Cecilia) is the first in a br... | Nathaniel Dorsky | 2019 | 16mm film, 18 fps | COLOR | SILENT | 4 mins |
| Unemployment Portrayal | Saul Levine | 1983 | 16mm film, 18 fps | COLOR | SILENT | 4 mins | ||
|
Looking Glass Insects |
[hand processed in part, December 2012] Looking G... |
Charlotte Pryce | 2012 | 16mm film | COLOR | SILENT | 4 mins |
| Shmateh IV |
Portrait of Pelle Lowe. ... |
Saul Levine | 1986 | Super 8mm, 18 fps | COLOR | SOUND | 4 mins | |
| Englewood Cottonwood | Pseudo-hyper-stereoscopic view of one tree over th... | James Otis | 1997 | 16mm film | COLOR | SILENT | 4 mins | |
| What's Left is Wind | An elegy, this is a poetic film about the dissolut... | J. Leighton Pierce | 1988 | 16mm film | COLOR | OPT | 4 mins | |
| Easter Blues | A delicate window study. "Outside, spring had come... | James Otis | 1996 | 16mm film | COLOR | SILENT | 4 mins |