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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Anthology of Boats | A comic documentary of a San Francisco State Colle... | Fred Padula | 1968 | 16mm film | B&W | OPT | 5 mins | |
|
Blackbirds | Televised footage of the Rodney King/Reginald Denn... | Ken Paul Rosenthal | 1998 | 16mm film | COLOR | OPT | 9 mins |
|
I My Bike | A cinepoem that traces the conflict between urban ... | Ken Paul Rosenthal | 2002 | 16mm film | COLOR | OPT | 5 mins |
| Searching for My Mother's Garden | SEARCHING FOR MY MOTHER'S GARDEN has been describe... | Milada Kovacova | 1992 | 16mm film | COLOR | OPT | 12 mins | |
| Skin Flick | "As a textural surface, skin becomes the privilege... | Milada Kovacova | 1991 | 16mm film | COLOR | OPT | 9 mins | |
|
Horizontal Boundaries | The title Horizontal Boundaries refers to frame li... | Pat O'Neill | 2008 | Digital File | COLOR | OPT | 23.5 mins |
| Trouble in the Image--35 version | NOTE: O'Neill films are available for booking b... | Pat O'Neill | 1996 | 35mm film | COLOR | OPT | 38 mins | |
|
Decay of Fiction, The |
1.85:1 screen aspect ratio The Decay of Fictio... |
Pat O'Neill | 2002 | 35mm film | COLOR | OPT | 74 mins |
| Bagatelle | A Letraset composition quickly giving brief voice... | James Otis | 1979 | 16mm film | B&W | OPT | 1.5 mins | |
| Calypso's Cloak |
Linda Messenger Distad as Calypso/Melete. The f... |
James Otis | 1986 | 16mm film | COLOR | OPT | 2.5 mins | |
|
Furies, The | Orestes likes to spend his lunch hour at the Park... | Albert Gabriel Nigrin | 1997 | B&W | OPT | 26 mins | |
| No Art of Memory | Disturbing hints of the inexplicable clear their t... | James Otis | 1979 | 16mm film | COLOR | OPT | 3 mins | |
|
On Your Own | Into my hands fell a 20-minute exhortation to find... | James Otis | 1981 | 16mm film | B&W | OPT | 2 mins |
| Triptych | A casting up off of hands ironically employs a com... | James Otis | 1980 | 16mm film | COLOR/B&W | OPT | 22 mins | |
| Vervielfaltigung | "Duplication [many-making] is in as much progress ... | James Otis | 1996 | 16mm film | B&W | OPT | 4 mins | |
|
Suite California Stops & Passes Part 2: San Francisco to the Sierra Nevadas & Back Again | "SUITE CALIFORNIA is a work of deep feeling, insig... | Robert Nelson | 1978 | Digital File | COLOR/B&W | OPT | 47 mins |
|
Suite California Stops & Passes Part 1: Tijuana to Hollywood via Death Valley | "SUITE CALIFORNIA is a work of deep feeling, insig... | Robert Nelson | 1976 | Digital File | COLOR/B&W | OPT | 46 mins |
|
Penny Bright and Jimmy Witherspoon |
Sound by Robert Nelson, featuring Oona Nelson ... |
Robert Nelson | 1967 | 16mm film | COLOR | OPT | 4 mins |
|
Great Blondino, The | "Shooting in 1966 without script, story, or any na... | Robert Nelson | 1967 | 16mm film | COLOR/B&W | OPT | 42 mins |
|
Special Warning | "Special Warning is like a poem more than a narrat... | Robert Nelson | 1998 | 16mm film | COLOR/B&W | OPT | 6 mins |