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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Happy-End | "HAPPY-END is a found-footage film. The original m... | Peter Tscherkassky | 1996 | 35mm film | COLOR | OPT | 12 mins |
|
Dream Work (for Man Ray) | A woman goes to bed, falls asleep, and begins to d... | Peter Tscherkassky | 2001 | 35mm film | B&W | OPT | 11 mins |
|
L'Arrivee | L'Arrivée is Tscherkassky's second hommage to the ... | Peter Tscherkassky | 1998 | 35mm film | B&W | OPT | 2 mins |
|
Instructions for a Light and Sound Machine | Walking down the street unwittingly, the protagoni... | Peter Tscherkassky | 2005 | 35mm film | B&W | OPT | 17 mins |
| Distance | Time spent at two shores, one thinly populated, th... | Julie Murray | 2010 | 16mm film | COLOR | OPT | 12 mins | |
|
Mary Jane's Not a Virgin Anymore | Jane is a high school student who works at the loc... | Sarah Jacobson | 1997 | Digital File - DCP | COLOR | OPT | 90 mins |
|
I Was a Teenage Serial Killer | See the horror of righteous dismemberment! Feel th... | Sarah Jacobson | 1992 | Digital File - DCP | B&W | OPT | 27 mins |
|
Deliquium |
Hidden among the pounding of animal hides, All ta... |
Julie Murray | 2003 | 16mm film | COLOR | OPT | 15 mins |
|
Untitled (light) | "The film's haunting images are accompanied by the... | Julie Murray | 2002 | 16mm film | COLOR | OPT | 5 mins |
|
Anathema | Doubt assails the doctor and his assistants, who, ... | Julie Murray | 1995 | 16mm film | COLOR | OPT | 7 mins |
| Micromoth | A camera attached to a microscope facilitates the ... | Julie Murray | 2000 | 16mm film | COLOR | OPT | 6 mins | |
|
Mirror | co-directed and co-produced by Christoph Girardet\... | Matthias Muller | 2003 | Digital File | COLOR | OPT | 8.16 mins |
| Kubelka One Man Show--35mm and 16mm | Includes Mosaik im Vertrauen (35mm), Adebar (35mm)... | Peter Kubelka | 1966 | 35mm film | COLOR/B&W | OPT | 48 mins | |
| New Improved Institutional Quality: In the Environment of Liquids and Nasals a Parasitic Vowel Sometimes Develops | A reworking of an earlier film, Institutional Qual... | Owen Land | 1976 | LEASE RIGHTS | COLOR | OPT | 10 mins | |
| No Sir, Orison | Orison means prayer. The title of the film is a pa... | Owen Land | 1975 | 16mm film | COLOR | OPT | 3 mins | |
| On The Marriage Broker Joke as Cited by Sigmund Freud in Wit and its Relation to the Unconscious, or Can the Avant Garde Artist be Wholed | "ON THE MARRIAGE BROKER JOKE ... turns upon an opp... | Owen Land | 1979 | 16mm film | COLOR | OPT | 18 mins | |
| Remedial Reading Comprehension | Two kinds of material are used: 1) Material in the... | Owen Land | 1970 | COLOR | OPT | 5 mins | ||
| What's Wrong with This Picture 1 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | B&W | OPT | 6 mins | |
| What's Wrong With This Picture 2 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | COLOR | OPT | 5 mins | |
|
Depression in the Bay of Bengal, A | A DEPRESSION IN THE BAY OF BENGAL is a 28-minute c... | Mark LaPore | 1996 | 16mm film | COLOR | OPT | 28 mins |