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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| He Said Without Moving | A character study showing the dissolution of the c... | J. Leighton Pierce | 1981 | 16mm film | COLOR | OPT | 3.5 mins | |
| Miracle of Change, The | Taking place in a laundromat, this film is an expl... | J. Leighton Pierce | 1984 | 16mm film | COLOR | OPT | 7 mins | |
| Not Much Time | A bank robbery repeats several times, each time wi... | J. Leighton Pierce | 1982 | 16mm film | COLOR | OPT | 8 mins | |
| Red Shovel |
All aspects by Leighton Pierce. A narrow angle ... |
J. Leighton Pierce | 1992 | COLOR | OPT | 8 mins | ||
| Thursday | Shot between 11:00 and 1:00 over a series of Thurs... | J. Leighton Pierce | 1991 | 16mm film | COLOR | OPT | 4.5 mins | |
| What's Left is Wind | An elegy, this is a poetic film about the dissolut... | J. Leighton Pierce | 1988 | 16mm film | COLOR | OPT | 4 mins | |
| You Can Drive the Big Rigs | An impressionistic documentary on the small town c... | J. Leighton Pierce | 1989 | 16mm film | COLOR | OPT | 15 mins | |
| Living Room, The | THE LIVING ROOM digitally dramatizes and multiplie... | Michael Snow | 2000 | 16mm film | COLOR | OPT | 20.5 mins | |
| Glass |
All aspects by Leighton Pierce. A not-so-still ... |
J. Leighton Pierce | 1998 | Digital File | COLOR | OPT | 7 mins | |
|
Across the Border | "The film is a collage of found footage, and docum... | Dana Plays | 1982 | Digital File | COLOR | OPT | 8 mins |
|
Love Stories My Grandmother Tells, Part 1 | LOVE STORIES MY GRANDMOTHER TELLS, Part 1 is a por... | Dana Plays | 1994 | 16mm film | B&W | OPT | 30 mins |
|
Shards | Fragments of scenes from disparate rituals, a Sund... | Dana Plays | 1988 | 16mm film | COLOR | OPT | 5 mins |
|
Via Rio | "VIA RIO is an ode to our human desire for relatio... | Dana Plays | 1985 | 16mm film | COLOR | OPT | 7 mins |
|
Zero Hour | Through optical printing footage from a 1945 US Na... | Dana Plays | 1992 | DVD | B&W | OPT | 30 mins |
| Wavelength | WAVELENGTH was shot in one week in December, 1966,... | Michael Snow | 1967 | 16mm film | COLOR | OPT | 45 mins | |
|
Nuclear Family | "Nuclear Family uses found footage to create a dar... | Dana Plays | 2001 | 16mm film | COLOR/B&W | OPT | 22 mins |
| Back and Forth | "This neat, finely tuned, hypersensitive film exam... | Michael Snow | 1969 | 16mm film | COLOR | OPT | 53 mins | |
| Our Gay Brothers | "This collage of found film footage, assembles por... | Greta Snider | 1993 | 16mm film | COLOR | OPT | 9 mins | |
| Urine Man | Production Manager:Nate Longcope. Sound Recordist:... | Greta Snider | 2000 | 16mm film | COLOR | OPT | 6 mins | |
| Magic of Radio, The | A wild and beautiful excursion into the world of p... | Greta Snider | 2001 | 16mm film | COLOR | OPT | 23 mins |