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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Trouble in the Image--35 version | NOTE: O'Neill films are available for booking b... | Pat O'Neill | 1996 | 35mm film | COLOR | OPT | 38 mins | |
|
Decay of Fiction, The |
1.85:1 screen aspect ratio The Decay of Fictio... |
Pat O'Neill | 2002 | 35mm film | COLOR | OPT | 74 mins |
| Arnulf Rainer--35mm | "He has even created a film (called ARNULF RAINER)... | Peter Kubelka | 1960 | 35mm film | B&W | OPT | 7 mins | |
| Mosaik in Vertrauen--35mm | Born March 23, 1934 in Vienna, Austria. Independen... | Peter Kubelka | 1955 | 35mm film | COLOR/B&W | OPT | 17 mins | |
| Schwechater--35mm | My films give the greatest pleasure to those who k... | Peter Kubelka | 1958 | 35mm film | COLOR | OPT | 1 mins | |
| Kubelka One Man Show--35mm and 16mm | Includes Mosaik im Vertrauen (35mm), Adebar (35mm)... | Peter Kubelka | 1966 | 35mm film | COLOR/B&W | OPT | 48 mins | |
| New Improved Institutional Quality: In the Environment of Liquids and Nasals a Parasitic Vowel Sometimes Develops | A reworking of an earlier film, Institutional Qual... | Owen Land | 1976 | LEASE RIGHTS | COLOR | OPT | 10 mins | |
|
Furies, The | Orestes likes to spend his lunch hour at the Park... | Albert Gabriel Nigrin | 1997 | B&W | OPT | 26 mins | |
| No Sir, Orison | Orison means prayer. The title of the film is a pa... | Owen Land | 1975 | 16mm film | COLOR | OPT | 3 mins | |
| On The Marriage Broker Joke as Cited by Sigmund Freud in Wit and its Relation to the Unconscious, or Can the Avant Garde Artist be Wholed | "ON THE MARRIAGE BROKER JOKE ... turns upon an opp... | Owen Land | 1979 | 16mm film | COLOR | OPT | 18 mins | |
| Remedial Reading Comprehension | Two kinds of material are used: 1) Material in the... | Owen Land | 1970 | COLOR | OPT | 5 mins | ||
| What's Wrong with This Picture 1 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | B&W | OPT | 6 mins | |
| What's Wrong With This Picture 2 | "The first portion of this film is an old instruct... | Owen Land | 1972 | 16mm film | COLOR | OPT | 5 mins | |
| Color Cry | Inspired by Man Ray's "shadowcast" experiments, Le... | Len Lye | 1952 | COLOR | OPT | 3 mins | ||
| Len Lye Package: Color Cry; Rhythm; Free Radicals; Tal Farlow; Particles In Space |
5 Film Special Package: * Color Cry (1952, 16mm, ... |
Len Lye | 1979 | 16mm film | COLOR/B&W | OPT | 13.5 mins | |
|
Suite California Stops & Passes Part 2: San Francisco to the Sierra Nevadas & Back Again | "SUITE CALIFORNIA is a work of deep feeling, insig... | Robert Nelson | 1978 | 16mm film | COLOR/B&W | OPT | 47 mins |
| Particles in Space and Tal Farlow (on one reel) | PARTICLES IN SPACE (1979) grew out of the same cal... | Len Lye | 1980 | 16mm film | B&W | OPT | 5.5 mins | |
|
Suite California Stops & Passes Part 1: Tijuana to Hollywood via Death Valley | "SUITE CALIFORNIA is a work of deep feeling, insig... | Robert Nelson | 1976 | 16mm film | COLOR/B&W | OPT | 46 mins |
|
Penny Bright and Jimmy Witherspoon |
Sound by Robert Nelson, featuring Oona Nelson ... |
Robert Nelson | 1967 | 16mm film | COLOR | OPT | 4 mins |
|
Great Blondino, The | "Shooting in 1966 without script, story, or any na... | Robert Nelson | 1967 | 16mm film | COLOR/B&W | OPT | 42 mins |