New Acquisitions
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Now Available: New 16mm Preservation Print of Carolee Schneemann’s Plumb Line
Plumb Line (1972, 18 minutes, color, sound, 16mm) Breaking down, splitting apart, burning up: a relationship and the film itself. Edited from scrap diary footage shot in 8mm, hand printed as 16mm. PLUMB LINE is a moving and powerful subjective chronicle of the breaking up of a love relationship. The film is a devastating exorcism, […]
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Now Available: Lawrence Jordan’s Dreamscape I
Dreamscape I (2025, 8 minutes, color, sound, 16mm or digital file) Is a series of scenes, dissolving one into another, each highly different, but held together by the irony and possibilities of dreams. They also have some of the aggressiveness of surrealism, and the lyricism of fairytale. We see goddesses and a blue boy on […]
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Print Generations – Premiere Screening @ SFMOMA, Feb 22
Print Generations – Premiere Screening! 2pm Sunday, February 22, 2026 San Francisco Museum of Modern Art Free with RSVP Canyon Cinema’s inaugural film commissioning project! Borrowing its title from J.J. Murphy’s astounding structural showpiece, Print Generation (1974), and inspired by the centennial of 16mm film (1923–2023), Print Generations was conceived to support analog-based filmmaking in the Bay […]
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Now Now Available: 16mm Print of Al Wong’s Screen, Projector & Film
Screen, Projector & Film (1977, 14 minutes, color, silent, 16mm or digital file) IMPORTANT:With this work, the primary experience is the concern. In order to exhibit this work, you need to have a screen with a three legged tripod base. You also need to fit the projected image perfectly on the screen. Also available: video […]
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Now Available: Brice Bowman’s Museum Closed
Museum Closed (2023, 6.5 minutes, color, sound, digital file) Museum Closed is an audio-visual phenomenological interference pattern.
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Now Available: Gloria Chung’s Dark Light
Dark Light (2025, 11.5 minutes, color, sound, digital file) Regarding the Sun, dead images, sound and etymologies. “DARK LIGHT: the dim cloud of light that is experienced in complete darkness, owing to the spontaneous activity of neurons in the visual system.”
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Now Available: Tomonari Nishikawa’s Lumphini 2552 (35mm)
Lumphini 2552 (2009, 3 minutes, b&w, sound, 35mm) This work was shot with a still camera in Lumphini Park in Bangkok, Thailand. The home-developed film projects the organic patterns present in the memorial park onto the screen, creating a rhythmic yet emotional tempo. At the same time, the images captured by the still camera are […]
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Now Available: Three Films by Tommy Becker
The Shape of Things to Come (2025, 20 minutes, color, sound, digital file) The Shape of Things to Come is a six-chapter art rock film that delves into themes of nostalgia for the future, uncertainties of technological progress, and the quest for authentic human connection. Through original songwriting, poetry, performance art, and insights of Terence […]
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Now Available: New Digitization of Robert Nelson’s Suite California Stops & Passes Part 2: San Francisco to the Sierra Nevadas & Back Again
Suite California Stops & Passes Part 2: San Francisco to the Sierra Nevadas & Back Again (1978, 47 minutes, color and b&w, 16mm or digital file) “I’m definitely not interested in passing along intellectual information about California. There’s plenty of that everywhere. I’m trying to get at some feeling state.” – Robert Nelson, from A […]
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New Artist Member: Kelly Gallagher
Canyon Cinema is pleased to welcome Kelly Gallagher and her work to the collection! Kelly Gallagher is a filmmaker, animator, and Associate Professor of Film at Syracuse University. She is the recipient of a 2024 Creative Capital award for her feature experimental documentary, By All Your Memories. Her handcrafted films and commissioned animations have screened at […]
Spotlight on
TT TakemotoSworded Love
More about TT Takemoto »
Fleeting cinematic impressions of star-crossed swordsmen are captured in the oblique wanderings of emulsion lifted from a stray reel of... Read more »