Tomonari Nishikawa

  1. Nishikawa_Tomonari_Light-Noise-Smoke-and-Light-Noise-Smoke_01-Tomonari-Nishikawa

    Now Available: Tomonari Nishikawa’s Light, Noise, Smoke, and Light, Noise, Smoke

    Posted June 14th, 2024 in Announcements, New Acquisitions, New Digital Files, New Films, News / Events

    Light, Noise, Smoke and Light, Noise, Smoke (2023, 6 min, color, sound, 16mm or digital file) The visual shows the alternation of the shots of fireworks filmed at a summer festival in Japan, producing a distinctive yet organic rhythm, as well as a gap in time between the visual and sound, both of which are […]

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    Canyon Cinema Across Time and Space @ YBCA, November 1-30, 2023

    Posted October 26th, 2023 in Announcements, Events and Screenings, News / Events

    Throughout the month of November, as part of YBCA’s Bay Area Now 9 triennial exhibition, you can experience Canyon Cinema Across Time and Space. This selection of films from the Canyon Cinema collection traces six decades of experimental filmmaking in the Bay Area; from Canyon’s original home in the East Bay hamlet of Canyon, California, to San Francisco’s frenetic […]

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    3/14/2023 – Dispersed Renderings: A Salon with Patricia Ledesma Villon

    Posted March 6th, 2023 in Announcements, Canyon Cinema Salon, Events and Screenings, News / Events

    Dispersed Renderings: A selection of Bay Area works from the Canyon Cinema collection Tuesday, March 14, 2023 @ 7:30pm (doors 7pm)16 Sherman Street, San Francisco Curated by Patricia Ledesma Villon Familiar sights and inhabitants materialize and depart from the region known as the San Francisco Bay Area; we start anew while certain constants remain. Connections […]

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  4. 45 7 Broadway_01L

    Now Available on 16mm: 45 7 Broadway (Nishikawa, 2013)

    Posted September 25th, 2014 in Announcements, New Acquisitions, New Films, News / Events

    Tomonari Nishikawa’s 45 7 Broadway is now available! Tomonari Nishikawa | 2013 | 5 minutes | COLOR | SOUND | 16mm This is about Times Square, the noises and movements at this most well-known intersection. The film was shot on black and white films through color filters, red, green, and blue, then shots were optically […]

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