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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Plumb Line | Breaking down, splitting apart, burning up: a rela... | Carolee Schneemann | 1972 | 16mm film | COLOR | SOUND | 18 mins | |
| Die | DIE is a silent meditation on consciousness past d... | John Luther Schofill | 1966 | 16mm film | COLOR | SILENT | 5 mins | |
| Filmpiece for Sunshine |
Dedication: To Anger and Sunshine. FILMPIECE FO... |
John Luther Schofill | 1968 | 16mm film | COLOR | SOUND | 23 mins | |
| Portrait of the Poet as James Broughton | Like FILMPIECE FOR SUNSHINE, this film was begun a... | John Luther Schofill | 1980 | 16mm film | COLOR | SOUND | 40 mins | |
|
Animals Running | A continuous stream of animals from bison to splin... | Alice Anne Parker | 1974 | 16mm film | B&W | OPT | 23 mins |
|
I Change I Am the Same | A short, hilarious film of a woman and a man in va... | Alice Anne Parker | 1969 | 16mm film | B&W | OPT | 1 mins |
|
Introduction to Humanities | My first year Humanities class at the San Francisc... | Alice Anne Parker | 1972 | 16mm film | B&W | OPT | 5 mins |
|
Struggle of the Meat | When I was editing my last film, ANIMALS RUNNING, ... | Alice Anne Parker | 1974 | 16mm film | COLOR | OPT | 4 mins |
| Analytic Studies II: Un-Frame-Lines | A highly varied and playful series of short sketch... | Paul Sharits | 1971 | 16mm film | COLOR | SILENT | 30 mins | |
| Analytic Studies IV: Blank Color Frames | Contains: 1. Specimen II 2. Specimen III 3. Specim... | Paul Sharits | 1976 | 16mm film | COLOR | SILENT | 15 mins | |
| Bad Burns | Two reels of mis-takes in shooting Part II of 3RD ... | Paul Sharits | 1982 | 16mm film | COLOR | SILENT | 5 mins | |
|
Epileptic Seizure Comparison |
"Beauty shall be convulsive." - Andre Breton Pr... |
Paul Sharits | 1976 | 16mm film | COLOR | SOUND | 30 mins |
|
N:O:T:H:I:N:G | Based, in part, on the Tibetan Mandala of the Five... | Paul Sharits | 1968 | 16mm film | COLOR | SOUND | 36 mins |
| Piece Mandala/ End War | Blank color frequencies space out and optically fe... | Paul Sharits | 1966 | 16mm film | COLOR/B&W | SILENT | 5 mins | |
|
Ray Gun Virus | Although affirming projector, projection beam, scr... | Paul Sharits | 1966 | 16mm film | COLOR | SOUND | 14 mins |
|
S:Stream:S:S:ection:S:ection:S:S:ectioned | A conceptual lap dissolve from "water currents" to... | Paul Sharits | 1971 | 16mm film | COLOR | SOUND | 42 mins |
| Tails | A series of tail ends of varied strips of film, wi... | Paul Sharits | 1976 | 16mm film | COLOR | SILENT | 3 mins | |
| Word Movie (Flux Film 29) | Approximately 50 words visually "repeated" in vary... | Paul Sharits | 1966 | 16mm film | COLOR | SOUND | 4 mins | |
| Beat It | "What, rubber moles? Elizabeth Sher's exercise in ... | Elizabeth Sher | 1981 | 16mm film | COLOR | OPT | 4 mins | |
| Juggling | A harried young mother, played by Sue White, forme... | Elizabeth Sher | 1982 | 16mm film | COLOR | OPT | 14 mins |