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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
| Living Room, The | THE LIVING ROOM digitally dramatizes and multiplie... | Michael Snow | 2000 | 16mm film | COLOR | OPT | 20.5 mins | |
| Side Seat Paintings Slides Sound Film | In 1970 I had a large retrospective exhibition at ... | Michael Snow | 1970 | 16mm film | COLOR | SOUND | 20 mins | |
| Corpus Callosum | The corpus callosum is a central region of tissue ... | Michael Snow | 2002 | 16mm film | COLOR | OPT | 90 mins | |
| Standard Time | "In Snow's Standard Time a waist-high camer... | Michael Snow | 1967 | 16mm film | COLOR | OPT | 8 mins | |
| A To Z | A cross-hatched family fantasy about nocturnal fur... | Michael Snow | 1956 | 16mm film, 18 fps | COLOR | SILENT | 7 mins | |
| Rocking Chair | Human eye adjusts the brightness of the light auto... | Shiho Kano | 2000 | 16mm film | COLOR | OPT | 13 mins | |
| Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen | "Until Rameau's Nephew... no one has exhibited a f... | Michael Snow | 1974 | 16mm film | COLOR | OPT | 270 mins | |
| To Lavoisier, Who Died in the Reign of Terror | Antoine Lavoisier (1743-1794) was a French chemist... | Michael Snow | 1991 | 16mm film | COLOR | SOUND | 53 mins | |
| Triage | 2 x 16mm - Right screen by Michael Snow, Left scre... | Michael Snow | 2004 | 16mm film | COLOR | SOUND | 30 mins | |
| Sshtoorrty | Script, Direction, Design, Sound, Editing, Michael... | Michael Snow | 2005 | 35mm film | COLOR | OPT | 30 mins | |
| Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen (Re:Voir DVD) | Each of Michael Snow's works, spanning across pain... | Michael Snow | 1970-74 | DVD | COLOR | SOUND | 266 mins | |
| Exquisite Hour, The | Partly a lullaby for the dying, partly a lament at... | Phil Solomon | 1989-1994 | 16mm film | COLOR | SOUND | 14 mins | |
|
Site Visit | Entirely hand-processed and hand-painted. This fil... | Maïa Cybelle Carpenter | 1998 | 16mm film | COLOR | SOUND | 10 mins |
| Remains to be Seen | Using chemical and optical treatments to coat the ... | Phil Solomon | 1989/1994 | 16mm film | COLOR | SOUND | 17.5 mins | |
|
Secret Garden, The | "No filmmaker reveals the faith in the multiple la... | Phil Solomon | 1988 | 16mm film | COLOR | SILENT | 17 mins |
|
The Snowman | A meditation on memory, burial and decay - a belat... | Phil Solomon | 1995 | 16mm film | COLOR | SOUND | 8 mins |
| What's Out Tonight is Lost | The film began in response to an evaporating relat... | Phil Solomon | 1983 | 16mm film, 18 fps | COLOR | SILENT | 8 mins | |
|
Twilight Psalm II: Walking Distance | Inspired by Kiefer and Ryder, dedicated to Stan Br... | Phil Solomon | 1999 | 16mm film | COLOR | OPT | 23 mins |
|
Shape of the Gaze, The | Optically printed, hand processed and painted: the... | Maïa Cybelle Carpenter | 2000 | LEASE RIGHTS | COLOR | SILENT | 7 mins |
| Seasons... | Brakhage's frame-by-frame hand carvings and etchin... | Phil Solomon | 2002 | 16mm film | COLOR | SILENT | 15 mins |