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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
Film Poem Octet | The Film Poem Octet is a series of d... | Jean Sousa | 2015-2019 | Digital File | COLOR | SOUND | 32 mins |
|
Pattern Impulse | Originally this handmade film was a score for musi... | Jean Sousa | 1979 | Digital File | COLOR | SOUND | 3 mins |
|
Jane | Jane was filmed in the woods while at the MIT Summ... | Jean Sousa | 1977/2025 | Digital File | COLOR | SOUND | 3 mins |
| Carriage Trade | "In CARRIAGE TRADE, Sonbert interweaves footage t... | Warren Sonbert | 1971 | 16mm film | 61 mins | |||
| Cup and the Lip, The | "Sonbert's most recent film refines the premises o... | Warren Sonbert | 1986 | 16mm film | 20 mins | |||
|
Friendly Witness | "In FRIENDLY WITNESS, Sonbert returned, after 20 ... | Warren Sonbert | 1989 | 16mm film | COLOR | SOUND | 32 mins |
| Hall of Mirrors | "This film is an outgrowth of one of Sonbert's fi... | Warren Sonbert | 1966 | 16mm film | COLOR | SOUND | 7 mins | |
| Honor and Obey | "... what was clear was Sonbert's absolute master... | Warren Sonbert | 1988 | 16mm film | COLOR/B&W | SOUND | 21 mins | |
| Rude Awakening | "After successfully integrating the language of f... | Warren Sonbert | 1976 | 16mm film | 36 mins | |||
|
Short Fuse | "Sonbert was also a noted opera critic, and he fre... | Warren Sonbert | 1992 | 16mm film | COLOR | OPT | 37 mins |
| Where Did Our Love Go | Warhol Factory days ... serendipity visits, Janis... | Warren Sonbert | 1966 | 16mm film, 18 fps | COLOR | SOUND | 15 mins | |
|
Woman's Touch, A | "Sonbert was also a noted film critic, and his wri... | Warren Sonbert | 1983 | 16mm film | COLOR | SILENT | 23 mins |
| Amphetamine | A film by Warren Sonbert and Wendy Appel. With Gen... | Warren Sonbert | 1966 | 16mm film | B&W | SOUND | 10 mins | |
| Bad and the Beautiful | "One of the most profound themes coursing througho... | Warren Sonbert | 1967 | 16mm film | COLOR | SOUND | 35 mins | |
|
Clepsydra | Clepsydra is an ancient Greek water clock (literal... | Phil Solomon | 1992 | 16mm film | B&W | SILENT | 14 mins |
| Exquisite Hour, The | Partly a lullaby for the dying, partly a lament at... | Phil Solomon | 1989-1994 | 16mm film | COLOR | SOUND | 14 mins | |
|
Nocturne | Finding similarities in the pulses and shapes betw... | Phil Solomon | 1980/1989 | 16mm film | B&W | SILENT | 8 mins |
| Passage of the Bride, The | "Solomon's work - some of the best of contemporary... | Phil Solomon | 1980 | 16mm film, 18 fps | B&W | SILENT | 6 mins | |
| Remains to be Seen | Using chemical and optical treatments to coat the ... | Phil Solomon | 1989/1994 | 16mm film | COLOR | SOUND | 17.5 mins | |
|
Secret Garden, The | "No filmmaker reveals the faith in the multiple la... | Phil Solomon | 1988 | 16mm film | COLOR | SILENT | 17 mins |