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| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
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Two Roll Camera Roll | This was film was shot on a train trip down to Por... | Jon Behrens | 2016 | Digital File | COLOR | SOUND | 4 mins |
|
Recycled Realizations | I put this film together from found 35mm trailers ... | Jon Behrens | 2017 | Digital File | COLOR | SOUND | 4 mins |
|
Light Coins | This film is a collaboration between myself, Caryn... | Jon Behrens | 2018 | Digital File | COLOR | SOUND | 4 mins |
|
My Mink (Unowned Luxuries #2) |
with Shaun Madigan and Lewis Weinberg ... |
Amy Halpern | 2019 | 16mm film | COLOR | SILENT | 4 mins |
|
Girl is Presence | Co-directed by Lynne Sachs and Anne Lesley Selcer\... | Lynne Sachs | 2020 | Digital File | COLOR | SOUND | 4 mins |
|
Maya at 24 | Lynne Sachs films her daughter Maya in 16mm black ... | Lynne Sachs | 2021 | Digital File | B&W | SOUND | 4 mins |
|
Same Stream Twice |
16mm on DVD My daughter's name is Maya. I've be... |
Lynne Sachs | 2012 | Digital File | COLOR/B&W | SOUND | 4 mins |
|
pornfilm | Pornfilm is a short film about love and sex... | Stephanie Barber | 1998 | 16mm film | COLOR | OPT | 4 mins |
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Jacobs' Ladder | All is inevitably one. With the golden mean as see... | James Otis | 1981 | 16mm film | B&W | SILENT | 4 mins |
| Englewood Cottonwood | Pseudo-hyper-stereoscopic view of one tree over th... | James Otis | 1997 | 16mm film | COLOR | SILENT | 4 mins | |
|
Looking Glass Insects |
[hand processed in part, December 2012] Looking G... |
Charlotte Pryce | 2012 | 16mm film | COLOR | SILENT | 4 mins |
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oh my homeland | In 1985 the great soprano Leontyne Price sung the ... | Stephanie Barber | 2019 | 16mm film | COLOR | SOUND | 4 mins |
| Easter Blues | A delicate window study. "Outside, spring had come... | James Otis | 1996 | 16mm film | COLOR | SILENT | 4 mins | |
|
Drawn and Quartered | Optically printed images of a man and a woman frag... | Lynne Sachs | 1987 | Digital File | COLOR | SILENT | 4 mins |
|
city at heart | Again with thirds and again with danger. (in the w... | Stephanie Barber | 2003 | 16mm film | COLOR | SOUND | 4 mins |
| Ephemeral Solidity | This is one of the most elaborately edited of all ... | Stan Brakhage | 1993 | 16mm film | COLOR | SILENT | 4 mins | |
|
Still Life With Woman and Four Objects | A film portrait that falls somewhere between a pai... | Lynne Sachs | 1986 | Digital File | B&W | SOUND | 4 mins |
|
shipfilm | this is probably the most heartbreaking film i hav... | Stephanie Barber | 1998 | Digital File | B&W | SILENT | 4 mins |
| angus mustang | A short trip around, like a poem or a nostalgia fo... | Stephanie Barber | 1996 | 16mm film | COLOR | SOUND | 4 mins | |
| Three Hand Painted Films: NIGHTMUSIC; RAGE NET; GLAZE OF CATHEXIS |
Nightmusic (1986, 0.5 min.): This little film (... |
Stan Brakhage | 1990 | 16mm film | COLOR | SILENT | 4 mins |