Search Results
Edit Search Options »
Results 701 - 720 of 3902
| Title | Description | Filmmaker | Year | Format | Color | Sound | Length | |
|---|---|---|---|---|---|---|---|---|
|
|
Ahem | Popcorn, Chase sequence. Special effects. Two sex ... | Thad Povey | 1994 | 16mm film | COLOR | OPT | 2.5 mins |
|
|
VERGE for my sisters | "A horizon like a blade. Consistent across landsca... | Amy Halpern | 2022 | 16mm film | COLOR | SILENT | 5.5 mins |
|
|
Hula |
with Henry Franklin on bass "Abstract mu... |
Amy Halpern | 2022 | 16mm film | COLOR | SOUND | 6 mins |
|
|
Emit a Beam, See a Light |
with Richard Portman & Teresa Roupe "Sta... |
Amy Halpern | 2022 | 16mm film | COLOR | SOUND | 3.5 mins |
|
|
Kongostraat | "A diaristic view of parts of Paris, Belgium and A... | Dana Plays | 1989 | 16mm film | COLOR | SOUND | 11 mins |
|
|
Hardwood Process | A hand-made diary film generated from alternative ... | David Gatten | 1996 | 16mm film | COLOR | SILENT | 14 mins |
|
|
Journal and Remarks | JOURNAL AND REMARKS, the second reel of the ongoin... | David Gatten | 2009 | 16mm film | COLOR | SILENT | 15 mins |
|
|
Nuclear Family | "Nuclear Family uses found footage to create a dar... | Dana Plays | 2001 | 16mm film | COLOR/B&W | OPT | 22 mins |
|
|
Film for Invisible Ink, Case No. 323: ONCE UPON A TIME IN THE WEST | A series of instances, a set of promises, a frame ... | David Gatten | 2010 | 16mm film | B&W | SILENT | 20 mins |
|
|
Shrimp Boat Log | "If WHAT THE WATER SAID is a clever literalizing p... | David Gatten | 2010 | 16mm film | COLOR | SILENT | 6 mins |
|
|
Via Rio | "VIA RIO is an ode to our human desire for relatio... | Dana Plays | 1985 | 16mm film | COLOR | OPT | 7 mins |
|
|
Shards | Fragments of scenes from disparate rituals, a Sund... | Dana Plays | 1988 | 16mm film | COLOR | OPT | 5 mins |
|
|
Love Stories My Grandmother Tells, Part 1 | LOVE STORIES MY GRANDMOTHER TELLS, Part 1 is a por... | Dana Plays | 1994 | 16mm film | B&W | OPT | 30 mins |
|
|
Film for Invisible Ink, Case No. 71: Base-Plus-Fog | Just barely a whisper. The minimum density, the sl... | David Gatten | 2006 | 16mm film | B&W | SOUND | 10 mins |
|
|
Film for Invisible Ink, Case No. 142: Abbreviation for Dead Winter [Diminished by 1,794] | A single piece of paper, a second stab at suture, ... | David Gatten | 2008 | 16mm film | B&W | SOUND | 13 mins |
|
|
So Sure of Nowhere Buying Times to Come |
I understood that there must have been. And ... |
David Gatten | 2010 | 16mm film | COLOR | SILENT | 9 mins |
| You Can Drive the Big Rigs | An impressionistic documentary on the small town c... | J. Leighton Pierce | 1989 | 16mm film | COLOR | OPT | 15 mins | |
| What's Left is Wind | An elegy, this is a poetic film about the dissolut... | J. Leighton Pierce | 1988 | 16mm film | COLOR | OPT | 4 mins | |
| Thursday | Shot between 11:00 and 1:00 over a series of Thurs... | J. Leighton Pierce | 1991 | 16mm film | COLOR | OPT | 4.5 mins | |
| Not Much Time | A bank robbery repeats several times, each time wi... | J. Leighton Pierce | 1982 | 16mm film | COLOR | OPT | 8 mins |

