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Title Description Filmmaker Year Format Color Sound Length
Ahem Popcorn, Chase sequence. Special effects. Two sex ... Thad Povey 1994 16mm film COLOR OPT 2.5 mins
VERGE for my sisters "A horizon like a blade. Consistent across landsca... Amy Halpern 2022 16mm film COLOR SILENT 5.5 mins
Hula with Henry Franklin on bass

"Abstract mu...
Amy Halpern 2022 16mm film COLOR SOUND 6 mins
Emit a Beam, See a Light with Richard Portman & Teresa Roupe

"Sta...
Amy Halpern 2022 16mm film COLOR SOUND 3.5 mins
Kongostraat "A diaristic view of parts of Paris, Belgium and A... Dana Plays 1989 16mm film COLOR SOUND 11 mins
Hardwood Process A hand-made diary film generated from alternative ... David Gatten 1996 16mm film COLOR SILENT 14 mins
Journal and Remarks JOURNAL AND REMARKS, the second reel of the ongoin... David Gatten 2009 16mm film COLOR SILENT 15 mins
Nuclear Family "Nuclear Family uses found footage to create a dar... Dana Plays 2001 16mm film COLOR/B&W OPT 22 mins
Film for Invisible Ink, Case No. 323: ONCE UPON A TIME IN THE WEST A series of instances, a set of promises, a frame ... David Gatten 2010 16mm film B&W SILENT 20 mins
Shrimp Boat Log "If WHAT THE WATER SAID is a clever literalizing p... David Gatten 2010 16mm film COLOR SILENT 6 mins
Via Rio "VIA RIO is an ode to our human desire for relatio... Dana Plays 1985 16mm film COLOR OPT 7 mins
Shards Fragments of scenes from disparate rituals, a Sund... Dana Plays 1988 16mm film COLOR OPT 5 mins
Love Stories My Grandmother Tells, Part 1 LOVE STORIES MY GRANDMOTHER TELLS, Part 1 is a por... Dana Plays 1994 16mm film B&W OPT 30 mins
Film for Invisible Ink, Case No. 71: Base-Plus-Fog Just barely a whisper. The minimum density, the sl... David Gatten 2006 16mm film B&W SOUND 10 mins
Film for Invisible Ink, Case No. 142: Abbreviation for Dead Winter [Diminished by 1,794] A single piece of paper, a second stab at suture, ... David Gatten 2008 16mm film B&W SOUND 13 mins
So Sure of Nowhere Buying Times to Come I understood that there must have been.

And ...
David Gatten 2010 16mm film COLOR SILENT 9 mins
  You Can Drive the Big Rigs An impressionistic documentary on the small town c... J. Leighton Pierce 1989 16mm film COLOR OPT 15 mins
  What's Left is Wind An elegy, this is a poetic film about the dissolut... J. Leighton Pierce 1988 16mm film COLOR OPT 4 mins
  Thursday Shot between 11:00 and 1:00 over a series of Thurs... J. Leighton Pierce 1991 16mm film COLOR OPT 4.5 mins
  Not Much Time A bank robbery repeats several times, each time wi... J. Leighton Pierce 1982 16mm film COLOR OPT 8 mins
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